ACOUSTIC GUITARS
What is MAP? MAP means the "minimum advertised price.” This refers to the minimum price at which manufacturer will permit a retailer to advertise something, in print or on-line. Sometimes (often) the prices at our showroom are actually lower than what we are allowed to show in print (the MAP). You are invited to call us (718 981- 8585) or email (mandolin@ix.netcom.com) us to learn our actual selling prices on any item that presents as just “List” and “MAP.”
The Online Vintage News was written by Stan Jay. We also publish a newsletter version on something called “paper.” This printed version is delivered to you by first class mail anywhere in the world for only $20 for a one-year subscription (domestic) or $25 for one year (foreign). We invite you to become a paid subscriber since these descriptions are, like all fine literature, worth keeping and on the internet they go “buh-bye” as each piece is sold. Please phone in, fax or email your card information or regular-mail us your personal check. Your comments about our descriptions, unpredictable demeanor, hallucinatory imagery or sequined outfits are always welcomed.
HOW TO NAVIGATE OUR WEB PAGE: When you are on, say, our Acoustic Page, click “Control F.” This brings a box to the middle of your screen. Type (say) “D-28” in that box and click “Find Next.” Your computer will take you to the first listing on the page for a D-28 guitar and, as you keep clicking “Find Next,” it will take you to all the listings for D-28 on the page. We call this occult knowledge “The Secret of Life” and so will you, once you try it. If you have a Macintosh Computer you can do the same by combining the "Apple" key with F. The Apple key is called the Command Key.
THE GUITAR OF THE MUNT:
76-8743 C F Martin 1948 D-28 #104915, in excellent condition with some smallish changes, with apparently original hard shell case.
This is a clean example of an uncommon and extremely desirable period Martin D-28. It is a guitar that has survived better than most of the 427 that Martin made, and, when played and heard, is beyond-words fine sounding. The examination by our repair department reveals that it has a replaced bridge, it has had a previous neck reset, it has a newer nut. It retains its original Kluson Deluxe “Patent Applied For” tuners -- rectangular backs with small oval metal buttons. In addition, its neck was oversprayed, it has its original pickguard which our shop has reglued. It has a pickguard crack whose repair was not performed as well as it could have been, and which was touched up, and the guitar was buffed up.Even though the guitar is in astonishingly clean condition for a '48, the finish shows scratches overall and two marks from an old strap -- one on the top and the other on the treble lower side bout. The neck is shiny, the original tuners are barely tarnished. It has a new bone saddle. There is no warping or deflection in the top which has its normal arch of .078". There is a previously repaired pickguard crack that was just filled with glue and not closed up first, so it's black and has poor touchup, but structurally it is ok. There was another crack in the top -- 7 ¼” from the fifth string position on the bridge to the bottom edge of the face, and there is a 1/2” hairline starting from the bottom edge of the face one inch to the treble side of the long repaired crack. The long top crack has been glued and clamped as were very small, very limited cracks in the wood surrounding the soundhole near the fingerboard extension. There is a cosmetic mar more or less over the finish in the lower treble bout of the face and there are, overall, nicks, dings, mars, scratches, belt buckle on the back, nicks on the back of the neck and nicks and scrapes on the headstock. There is glue around many of the braces that underlie the top and glue around the bridge plate. The bridge and end pins are modern replacements. The fingerboard is ebony with 8 mother of pearl dotmarkers; the Brazilian rosewood on the back, sides and headplate is straight-grained and beautiful; the “C F Martin & Co. Est. 1833” gold headstock logo is gleaming, shimmering, bright and strong. This guitar is in quite solidly excellent condition -- it plays comfortably and sounds superlative.
January of 1947 was the last month for herringbone top trim on the D-28 guitar, and Martin’s later 1947 and 1948 D-28s are considered quite similar to the herringbone D-28 of late 1944, when Martin ceased scalloping the braces and dropped the etched diamond fingerboard inlays. In other words, if owning a ‘40s D-28 herringbone with its (up to) $50,000 to $60,000 price tag is stretching it just a little – if you are seeking a guitar whose sound, presence, clarity, aural alacrity, volume and bona fide boisterousness is completely mind-blowing, a guitar that Martin built a total of only 427 in 1948, a guitar whose model and year rarely turns up for sale and in which condition you just about never see them (this guitar is spectacularly clean compared to most) then this, mon ami, is precisely the guitar for you. This one’s $14,429 or at our cash discount price $13,995.
AVALON SECTION: We presently have a notable selection of new Avalon guitars.
The interesting thing is that, since prices of instruments made in Ireland, the UK and Europe have risen so dramatically in the past year, these are considerably under priced by comparison to what new Avalon guitars sell for. For example, our L-32 below is priced at $2712 at the Cash Discount Price, and a new one is, um, $4,950. At these much lower prices ours comprise quite a deal. Please email or call us at 718 981 8585 and order yours now.
48-3519 Avalon (new) D-200 Gold Series dreadnought (acoustic), #A-00919, dreadnought made in Ireland, with hard shell case.
Your cost on this is $1999 at our Discount Price, $1745 at our Cash Discount Price.
48-4086 Avalon (New Old Stock) Gold Series, Model A-200CE, an Auditorium-size acoustic guitar, made in Northern Ireland, with a soft cutaway & Fishman Prefix Pro pickup system, serial #A-00928, with hard shell case.
This extremely fine sounding guitar is made from solid East Indian rosewood back & sides, has a solid Sitka spruce top, a solid mahogany neck, and actual rosewood body bindings. It’s fingerboard is black ebony inlaid with 7 small mother of pearl dotmarkers in 6 positions, the bridge may be ebony as well. The soundhole is ringed with a three-ply rosette comprised of what appears to be East Indian rosewood and spruce, and so is the facial perimeter. The headplate overlay is East Indian rosewood and bears the stylized golden “A” and the “AVALON” block letter’d logo; the tuners are sealed backs with the Avalon logo, with large ebony buttons. This guitar plays easily and comfortably in every fret position. It has a clear pickguard and a clear, loud voice that is louder still when you plug the guitar into any fine acoustic amplifier – it is immediately engaged for the stage. Even though new Avalon guitars are list-priced between $5,750 and $10,500 (plus $600 to $800 for the cutaway) you can get this extremely fine example from us for $2213 at our Discount Price, or at our Cash Discount Price, $2146. Now THAT’S a good price! The first one to email or call walks away with the belle of the ball.
48-4099 Avalon (new) D-200CE Gold Series Dreadnought (acoustic-electric with cutaway), #A-00938, made in Ireland, with hard shell case.
Your cost on this is $2213 at our Discount Price, $2146 at our Cash Discount Price.
88-2889 and 88-2023 Avalon (new) Legacy Model A325C-FS Auditorium, Fingerstyle Cutaway, Made in Ireland, Serial # A000465 and #A00467, each guitar being East Indian rosewood back and sides, cedar top, with Hiscox hardshell case.
EACH WAS $4120 Discount Price with a Cash Discount Price of $3996, but NOW each guitar is ON SALE for $3820 Discount Price with a Cash Discount Price of $3696.
88-2929 Avalon (new) L-32, L-Series Avalon guitars are full 17” jumbo body guitars, this Made-in-Ireland guitar is comprised of Sitka Spruce with East Indian rosewood sides and back, with the black Hiscox thermoplastic case.
This is insanely low priced at $2796 at our Discount Price, $2712 at our Cash Discount Price.
48-4064 Avalon (new) Gold Series A200/12 twelve string, A00942, with hard shell case.
This extremely fine sounding Made in Ireland guitar features East Indian rosewood and Sitka spruce with all rosewood body bindings, an ebony bound ebony fingerboard and a colorful rosewood bridge, with rosewood tuning buttons. Great sound and gawgis. The Discount Price is only $2024 and the Cash Discount Price is $1964.
15-5305 Avalon (new) Jacques Stotzem Signature Edition auditorium-sized cutaway guitar in East Indian rosewood and Sitka spruce, A-00836, with hard shell case.
Only $2,474 at our Discount Price, $2,399 at our Cash Discount Price.
15-5306 Avalon (new) AS200CE, Acoustic-Electric with cutaway, #0506853, rosewood and Sitka Auditorium sized imported guitar, with a zipper gig bag.
Imported from the Far East but very nice quality for an affordable price. Priced at $776 or, at our cash discount price, $753.
76-8701 Bourgeois (new) Signature OM Premium, serial #4780, with plush lined hard shell case.
This advanced and specially appointed model is comprised of the combination of Eastern Red Adirondack spruce and Madagascar rosewood, curly maple, Signature herringbone purfling, a Brazilian Rosewood headstock veneer. Said headstock houses the Bourgeois logo inlay; the neck is 14-fret, its nut measures 1 ¾”in width, it has Waverly brand gold-plated tuners, a Madagascar butt wedge (wood that they all did) and also heel cap, bone bridge pins and that lush and plush hard shell case. The sound is like that of the angels, themselves. $4,450 at our Discount Price or, $4,316 at our Cash Discount Price.
76-8135 Collings (new) O-1A, #14593, Adirondack Spruce top, 1 3/4th nut width, with hard shell case.
A very small guitar with a truly huge sound (for its size). The Adirondack spruce top brings out the complexity and the increased sonority of its tone. Very small, but very hard to pass up. $4199 at our Discount Price, or at our Cash Discount Price, $4073.
76-8245 Collings (new) OM2H with a 1 ¾” nut, serial #15227, with hard shell case.
We consider this “ye olde reliable” since it is one of Collings (and just about everybody else’s) most popularly sized guitars. Made with an Auditorium-sized body (15”) and a D-scale neck (25.4”) the Collings OM fulfills the dreams of tonal variety for which every fingerstyle guitar player yearns. We order these with the 1 ¾” nut width option because when the OM (Orchestra Model) was invented it had that as a specification and we feel it should remain with that spec. Don’t you? Come visit, try it, buy it, and inspire others by your good example. $3503 at our Discount Price, or at our Cash Discount Price, $3398
76-8154 Collings (new) Baby 2H with a 1 ¾” nut, serial #15239 with hard shell case.
Collings makes what many consider the most outrageously powerful, loud and full-frequencied travel guitar on the face of the planet earth. We present to you a very small-bodied acoustic guitar, #15303, only 13 11/16th” in body width, 24-1/8" in scale length, and this one happens to have a 1 3/4" nut width. Details include that it has a glossy finished Brazilian rosewood headplate inlaid with the script Collings white pearl logo, six Waverly brand nickel and brass open gear, butterbean button highly accurate tuners, a glossy-finished mahogany neck with five etched diamond mother of pearl dotmarkers, a fourteen fret to the body ebony fingerboard and a matching carved ebony bridge, six pearl dot inlaid ebony bridge pins and one matching end pin, herringbone top rim, twin multi-ply rings of wood fiber and ivoroid comprise the soundhole rosette, and the back stripe is wood zipper marquetry. The solid and select Sitka spruce top is moderately wide-grained and hosts a small, tortoise shell color, beveled-edge teardrop pickguard. The neck shape is modified-V; it’s an efficient and comfortable neck – it feels like an old friend from Day One. This is a professional instrument on every level but it’s small enough to hopefully go into the overhead compartment on the plane. We’ve sold this model to itinerant (and famous) recording artists who write songs in their hotel rooms whilst on the road, and we’ve sold them to regular people who own actual full-size guitars, many of which don’t sound half as good as this top-level, triumphant, tonal tour de force. $3,503 at our Discount Price or $3,398 at our Cash Discount Price.
76-8198 Collings (new) D2H, serial #15234 with a hard shell case.
The full-bodied dreadnought, with the herringbone, with the perfectly chosen woods, with the exquisite workmanship that knows no flaw, with the scalloped bracing and the sound from the commonwealth of West Heaven. Come to our showroom and compare this melodious monster with the other several hundred high-end acoustic guitars on display here and then you can tell us (with a straight face) that you’ll pass. We’ll see. Betcha you don’t pass. Betcha can’t stand not owning it. We’ve seen that look before. $3433 at our Discount Price or $3330 at our Cash Discount Price.
76-8216 Collings (new) D2H ordered with the option of the 1 3/4" Nut Width, serial #15332, with hard shell case.
$3502 at our Discount Price or $3398 at our Cash Discount Price.
76-8726 Collings (new) Baby-2H, East Indian rosewood, standard 1 11/16th” nut, #15303, with plush lined deluxe hard shell case.
So tiny and yet so strong and aurally supple. This guitar surprises anyone who comes within 10 yards of it. Take this out in a crowd of guitarists and, seeing it, they may poo poo (or they may be continent). Play it, however, and that smug smile on their various visages will disappear. This guitar makes new friends where ever it goes. $3,433 at our Discount Price or $3,330 at our Cash Discount Price.
CA GUITARS ANNOUNCES NEW Xi WITH INTEGRATED TOP BRACING TECHNOLOGY™
(Lafayette, Louisiana, September 18, 2008). CA Guitars is excited to announce the newest addition to its line of great sounding, ultra-durable, high-end carbon fiber acoustic guitars featuring Integrated Top Bracing Technology ™ (ITB™). The new Xi guitar is a thin-body cutaway featuring revolutionary technology in which the bracing is built into the top rather than made separately. Adhesively bonded. ITB™ represents the most recent advancement in bracing technology and is a result of over 10 years of CA research and development. The new Xi instruments have the tone and warmth common to great acoustic guitars, with enhanced low end response. The CA team would not settle for just a big bottom end – and neither would their personal trainers. These had to have good balance and excellent range. Using the Acoustic Tailoring™ process, the new Xi instruments have clean mids and sparkling highs in addition to a bigger bass response, and no cuffs or pleats, acoustically speaking. The new Xi guitar comes standard with an active under-saddle pickup system and is available in a road tough (RT) scratch resistant finish in Red, Wine, Green, Blue and Charcoal (at $1998 List price) or in high gloss finish in Red, Blue or Carbon Burst (at $2266 List price). Please call or email for Mandolin Brothers’ discount pricing on these pieces, and, if you have the time, go to CA Guitars’ Web site to obtain more information: http://www.caguitars.com
76-8218 Composite Acoustics 8M-CE (GX-HG), serial #8ME08274-8, with hard shell case.
The CA List Price is $2,998 and the CA MAP Price is $2,699.
76-8131 Composite Acoustics (new) 8M-CE, #8ME08240-1, with hard shell case.
The CA List Price is $2,998 and the CA MAP Price is $2,699.
76-8692 & 76-8713 Composite Acoustic (new) 7iMCE (GXi) Carbon Fiber acoustic guitar, serial # GXI3082827 & GXI3082827, Tobacco Burst, medium body with cutaway, pickup and offset sound hole, and premium hard shell case.
The CA List Price is $2500 and the CA MAP Price is $2062.
76-8705 Composite Acoustics 7iM-CE (Gxi-HG), in red, serial #Gxi108287-8, with hard shell case.
The CA List Price is $2500 and the CA MAP Price is $2062.
76-8742 and 76-8714 Composite Acoustics (new) XSC “Cargo” travel guitar, acoustic-only, charcoal color, #C208294-8 and #C208290-9 each with a zipper gig bag.
CA Guitars of Lafayette, LA, a premier builder of carbon fiber acoustic guitars, is going mobile with the introduction of its new Cargo model; a travel-sized extra-small-body acoustic guitar. Like all of the models in the CA catalogue, the Cargo comes outfitted with Elixir long-life strings. CA’s guitars are built light enough to yield excellent tone, yet are extremely durable and impervious to the natural elements such as low humidity, garlic breath or a proclivity toward axillary stupefaction. The Cargo is a break though in small-bodied, portable guitars. It has the sound of a full-sized guitar, and the portability of a travel guitar, it has the carbon fiber body with its scratch resistant finish. It is ready whenever, and wherever, you go. This guitar has an overall length of 35”, a body width of 13.3”, a body length of 16.7”, a body depth of 3.75”, a nut width of 1 ¾” and a bridge spacing of 2 ¼” at the saddle. CA calls this a “half size cutaway” but since regular CA guitars, like the vaunted red sunburst 7iM-CE, have a total length of 41” and a width of 16”we’d call the Cargo an 83% to 85%-size guitar. It has an offset oval sound port in the upper bass bout of the face, no fingerboard inlays but round markers in five positions on the bass side of the fretboard. It has Gotoh tuners, medium stainless steel frets, The matte surface headstock displays the stylized “CA” white logo, the edge of the face depicts a mottled design graphite composite border that contrasts nicely with the silver gray “Road Tough Satin” finish of the ergonomically contoured body and neck. This guitar sounds just great – it is bold and it is boisterous; it is fun for the entire peripatetic clan. A family, as you know, that picks together, sticks together. For each guitar, the CA List Price is $932 and the CA MAP is $799.
76-8741 & 76-8754 & 76-8762 Composite Acoustics XSCE “Cargo” travel guitar, charcoal color, with a factory-provided, built-in Fishman or Baggs pickup, #CE208294-9& # CE2082967 & CE208301-1, with a zipper gig bag.
Please see the description of the XSC Acoustic “Cargo” directly above – this is the same guitar but with an optional pickup – with a hidden volume and tone control in the offset soundhole. We see red and black wires inside so we’re presuming it’s a Fishperson Pickup. The CA List Price is $1072 and the CA MAP is $911.
76-8232 Epiphone (used, 1959) Model FT-79 “Texan” #A-1875, Factory Order Number V8666-12, a slope-shouldered dreadnought in mahogany and spruce, in very good plus condition with no case.
(This makes it: Hard Case to be Provided or HTBP for you initialismists). The Gibson Company bought the Epiphone Company in 1957 according to the folklore and the Texan, which was retained from the Epiphone catalog as an FT-79 came out the following year, 1958. This has a blue Kalamazoo, Michigan rectangular label, that states “Guarantee void if number is defaced,” “Style,” “Epiphone (the code for the style) and “Number” and then “Epiphone Inc, Kalamazoo, Michigan.” It has an A-prefix, four-digit serial number on the rectangular paper label (A-1875) and we know that Epiphone guitars have a different A-prefix numerology than Gibson A-prefix numbers. The Texan is a slope-shouldered dreadnought with crème and black purfling around the top, crème-black-crème around the soundhole and just single ply celluloid around sides and back. The unbound Brazilian rosewood fingerboard has 6 single parallelogram pearl inlays, the center indent unbound headstock has a thick, script “Epiphone” logo in pearl with a sort of pearl rectangle with a bump on the top and bottom sides at the center of the headplate. Tuners are the original three-on-a-plate Kluson Deluxe with small ivoroid buttons; the truss rod cover is original with a raised central section, held in place by three screws; the bridge is Brazilian rosewood with its belly facing up. Our workshop has glued loose braces, reglued the bridge and set the guitar up to extremely comfortable and playable. The instrument shows considerable finish checking, normal scratches, nicks and dings, and a small area of pick wear into the wood below the pickguard. Although this model is said to have had an Epsilon (slashed C) on the dark tortoise shell apostrophe-shaped pickguard this one appears to have never had one. This guitar has a 1 11/16th” nut width, 2 2/8” bridge spacing, and a long scale of approximately 25 1/3”. It will, as the result of our set-up work, play beautifully and sound unimaginably great. This was made in one of Gibson’s finest years of production. The end result of its inherent quality and our repair shop’s skills is a guitar that would have made John Lennon proud. $4,118 or at our cash discount price, $3,995
76-8203 Gallagher (new) “Modified Doc Watson” acoustic, a special variation made with a slotted headstock, extremely fine sounding 12-fret guitar, serial #3297, with gold-plated tuners and plush-lined hard shell case.
You might not find this model listed in the Gallagher catalog but it sure sounds fine, as Doc might say. It has the French curve shape at the top of its ivoroid-bound headstock with the inlaid gothic font “G”, gorgeous Schaller side-mounted tuners with ivoroid buttons. Its fingerboard measures 1 ¾” at the nut with a bridge string spacing of 2 3/16th”. Said fingerboard displays 8 etched diamond fingerboard inlays; the top and soundhole are bordered in small herringbone against an ebony background, the back stripe is zipper wood marquetry; the tortoise shell color pickguard is apostrophe shaped; the bridge is carved of ebony and houses six dark amber translucent bridge pins (and matching end pin) each with a mother of pearl dot inlay. It’s back and sides are exquisitely beautiful mahogany, the nut and saddle are carved of bone, its sides and back are bordered in single-ply ivoroid and there is a lovely little diamond dart carved behind the nut at the bottom of the headstock. Heel cap and end graft are ebony. For the player requiring room in which to work, and the thunderously loud, room-filling sound of the longer-bodied 12-fret slothead guitar, this instrument will shake up the room in which it is played. $4,005 or at our Cash Discount Price, $3,885.
76-8230 Gibson 1966 (to 1968) J-200, sunburst, #408592, in excellent condition with black, almost certainly original, slightly worn orange lined hard shell case.
This Gibson J-200 conforms in most ways to the standard description of “The King of the Flattop Guitars.” We believe that it is mostly likely ’66 as there is no “Union Made” on the orange oval label and it does have the Fuller Bar inside which Gibson began supplying in 1964. It sounds better than most that have the Fuller Bar. The finish – on top, back, sides and neck - is a glorious shading of orange to dark orange to brown; the pickguard is tortoise shell color celluloid with 4 large flowers and 8 yellow buds, connected by a vine; the top is bordered in 6 plies of black and crème purfling, the soundhole is bordered in two concentric rings of 3-ply and 6-ply, the back in 4-ply and the sides, neck and headstock in single-ply originally crème celluloid that has all turned yellow. Said headstock displays the postwar script “Gibson” logo in yellowed pearl, followed by a Gibson crown, followed by a bell-shaped Gibson truss rod cover with a wide-white border and the word “Custom” vertically etched. Tuner buttons are large 5-striped-back Klusons, gold plated, with tulip (also called keystone) metal buttons. The plating on the tuners shows normal oxidation. The back of the neck is 5-piece, three of which are flame maple, and the sides and the back are solid curly maple. The heel cap is celluloid with a two-ply crème-black border. The Brazilian rosewood fingerboard, which measures 1 9/16th at the nut, comes to a bird’s beak or carat at the bottom, and is inlaid with 8 large crown inlays and the Brazilian rosewood bridge is solid (not moustache) with six pieces of mother of pearl and an adjustable tune-o-matic bridge. Right now it has three crème bridge pins and 3 black, but two more crème bridge pins reside in the case. We can hopefully find a similar crème bridge pin to complete the set. This guitar has a curious anomaly – the soundhole rosette stops under the top edge of the pickguard and the area just below the fingerboard on the treble side is finished in black. There is also an area to the treble side of the pickguard that is finished in black. We do not know whether this guitar received factory touch-up before leaving the factory or whether this work was done by the first owner who owned it for approximately 10 years before the current owner obtained it. Full disclosure on condition: This guitar, all things being equal, could use a neck reset. The playing action (but not the neck itself) is on the beefy side and there is no room left on the saddle to lower it. There is all not much break angle from the individual plastic bridge saddles to the bridge pins. However, we do not feel that it is essential that the neck reset be performed now (today, on a Thursday). Somewhere down the line the next owner can choose to have it done. There is a slight lift of the board over the body but nothing that playability; the frets are quite clean. We are offering the guitar “as is”, having performed a clean up and a setup and installed new strings. We feel that it plays reasonably well for a person who strums or plays rhythm. The guitar shows normal signs of playing wear – scratches, scuffs, nicks, dings, a few car key marks on the treble side, a long intermittent scratch on the bass side lower bout, chips on and around the headstock and neck, and many other signs of use and wear. This is a handsome, and well-preserved example of an high end Gibson instrument that’s now 41 years old. It looks dignified and sounds demonstrative. We feel that it will give its next owner decades of pleasurable picking. $3608 or, at our cash discount price, $3500.
76-8727 Gibson (used, 5/13/97) “’60s Dove,” with a natural Sitka spruce top, cherry finish maple sides and back, #90597003, in excellent condition with original hard shell case.
During the 1990s the Gibson Montana acoustic guitar facility desired to make guitars in very much the style of the originals, which is why this guitar is called a “’60s Dove” and not just a “Dove.” It has a black-bordered white truss rod cover etched and blackened with the word “D O V E” vertical. The headstock is black overlain and has the “Gibson” postwar script logo in mother of pearl and the Gibson crown below, but both inlays were prepared ahead of time and then routed into the headstock in a block, which outline is quite visible to the naked eye. The East Indian rosewood fingerboard is inlaid with double parallelograms in 8 fret positions (thankfully with no filler or outline); the top is bordered in 5 plies of black and white purfling, the back and the heel cap in two-ply and the sides and neck in single ply (crème ivoroid). The pickguard is the large pointy one (10.5” measured diagonally) with the 3 ½” Dove inlaid amidst the leaves and the branches. The winged bridge is large and rosewood, with two vaguely birdie shaped mother of pearl large inlays. The saddle appears to be bone and it’s compensated, the nut appears to be Tusq. This guitar is largely free of normal signs of use and wear – there are a few very minor scratches, infinitely small dings and scuffs that may polish out. The two-piece back separated by a geometric (rectangles of varying size) back stripe is mildly curly maple but the sides are tiger stripe flamed and the sections of the 5-piece neck are curly. All of the original warranty materials, Pre-Pack Checklist, and other Gibson paperwork and paraphernalia remain in the case. It is an exceedingly fine sounding instrument, and it plays as easily as smoothly and easily as chicken fat on a fruit rollup. $2010 or at our cash discount price, $1950.
76-8161 Gibson (used, February 2007) J-45 TV (True Vintage) #00357022, in near mint condition with original brown, special, plush lined hard shell case.
Gibson has truly outdone itself by coming out with their new “True Vintage” series of acoustic guitars. This slope-shouldered six-string has the prewar appointments of an Adirondack (Red Spruce) top, Honduras mahogany sides and back, mahogany neck, utilizing 1930s-style advanced bracing, the 1942-’46 style headstock with the “Only a Gibson is Good Enough” banner between the silkscreen-style script Gibson logo in gold and the bell-shaped black plastic truss rod cover. It has replica Kluson-type tuners with metal rectangular backs, each with an oil hole (but no stamped logo) and small ivoroid buttons. In addition it has an old fashioned tortoise shell celluloid teardrop pickguard, a beautiful, carved, Madagascar rosewood bridge with belly facing up and a compensated bone saddle, bone nut, Madagascar rosewood fingerboard that displays 8 mother of pearl dotmarkers and ivoroid-black top purfling, and ivoroid-black-ivoroid soundhole rosette. Housed in a special brown plush lined hard shell case, its nut width is a comfortable 1 ¾” and the scale length an equally comfortable 24 ¾”. The one prior owner of this guitar (who purchased it from us) took exceptional care of it in the year and a half he owned it, putting one or two very slight indentations in the top (some might call them dings but they’re not deep) and three extremely small dings on the front top edge of the headstock. Other than that it is amazingly clean, truly “near mint” overall condition and it sounds full, rich, deep and resonant in ways one might never expect to hear in such a young guitar. When new this model currently lists for $3542 but your cost on this scarcely played example is only $1,850 at our discount price, $1,795 at our cash discount price.
78-7674 Gibson (used, 1970) Model B-25 acoustic small body guitar #902090, sunburst top, uniform brown sides and back, in excellent minus condition with an apparently original “semi-hard” case that’s really a chipboard case covered in vinyl.
There is an original Gibson “hang tag” inside that case. The guitar shows normal light signs of wear including some chips in the finish overall including on the headstock, on the sides of the fretboard near the frets, including some very small “dings” (indents) in the finish; there is an area of light buckle marks on the lower back, and it shows normal light scratches here and there and the frets show contact erosion. It is, however, overall very clean. This was made during the window of time in which, on the single point large tortoise-celluloid pickguard, a “Gibson” logo with an orange ball is shown propelled into six white strings (bending the first two strings). Tuners are the original “Kluson Deluxe” double-stripe type, with nickel-plated rectangular covers and small ivoroid buttons. The guitar has the standard Gibson black truss rod cover held in place by two screws, and 7 pearloid dotmarkers in the Brazilian rosewood fingerboard. The bridge is “belly-facing-up” variety, with vertical adjustability and a rosewood saddle. This is an attractive small bodied guitar that’s easy to play and full of personality. $1,025 at our Discount Price, $995 at our Cash Discount Price.
76-8229 Goodall (new) Crossover Nylon String Guitar, #PEX5467, with deluxe Ameritage hard shell case.
We present to you one of the finest sounding hybrid (a classical guitar made for the steel string player) guitars in the universe – this instrument has a comfortable 25.5" scale, a nut width of 1.875" width. It is constructed from glorious Palo Escrito for the back and sides – a premiere quality material chosen for use by the indigenous luthiers in the Paracho region of Mexico. It is actually from the Rosewood family but it has wider and more demonstrative grain and figure and it is, as well, lighter in weight. It is a perfect tonewood for a nylon string guitar. Also provided is Master Grade Port Orford Cedar for the top, plus East Indian rosewood for the body bindings, headplate and heel cap. Port Orford is a name for Chamaecyparis lawsoniana, which was discovered on the California-Oregon coast back around 1850. Also known as “white cedar” and “Lawson Cypress” the wood wants it made clear that it is NOT a cypress and in fact no cypress seeds have ever found their way into its gene pool. No, wait a minute, actually Port Orford Cedar IS a cypress and it is the crazed cedar-philes that want you to think it is a cedar. This wood is durable and light in weight. For this reason, in Japan it is widely used for making coffins, as well as in the building of temples and shrines. It has a highly straight grain and for this reason finds its way into use as arrow shafts. Remember: Time flies like an arrow; fruit flies like bananas. The bell-curve-shaped headstock hosts the hefty mother of pearl inlaid “flying G” for Goodall. There are no fingerboard inlays in its black ebony ‘board but there are, happily, white side dots to light your way into the future. It has a custom radius padauk rosette, this being a beautiful red wood that comes from central and tropical West Africa, in an area running from southwestern Nigeria to Zaire. This padauk rosette is bordered on each side by 5 plies of ebony and cedar. The mitered back stripe appears to be Indian rosewood, buffered with three-ply purfling; its lithe, oval-slotted headstock sports floral engraved-plate Gotoh classical black tuners. Inside its concise14.25” wide body James Goodall provides its future owner an LR Baggs I-Beam nylon string pickup with a hidden volume control in the soundhole, and it comes to you ready to travel with a comforting Ameritage humidity-controlled hard shell case. For all this sonic affluence (and it sounds utterly amazing) this superb guitar can be yours for only $6,119 at our Discount Price or $5,579 at our Cash Discount Price.
76-8717 Guild (new) GADM-20 Mahogany in Natural, serial #GAD38924, with hard shell case.
The Guild List is $879.99 and the Guild MAP is $660.
76-8703 Guild Aragon (new) F-30E in Natural, serial #TK059019, with hard shell case.
An American-made mid-sized instrument having the Orchestra Model body, solid Adirondack Red Spruce top and bracing, 1 11/16th” nut width, solid mahogany back and sides, bone bridge pins, tortoise bindings, a bone nut and saddle, pearl dot inlays, an East Indian rosewood bridge and fingerboard. It is completed with lacquer finish. Also included from the factory is the highly sophisticated D-TAR® Wave-Length™ Load 'N Lock Pickup System. The Guild List Price is $2499 and the Guild MAP is $1875.
76-8722 & 76-8755 Guild (new) GAD40-CE, Iced Tea Burst, all solid mahogany dreadnought guitar with a Sitka spruce top, a factory provided pickup and a cutaway.
Their serial numbers are GAD35607 & #GAD37773 with hard shell case. For each guitar the Guild List Price is $1379.99 and the Guild MAP Price is $1030.
76-8217 Gitane (new) John Jorgenson Model Gypsy Jazz style acoustic guitar, serial #07050620, presumably laminated Brazilian Rosewood back and sides, select solid spruce top with aging toner, having the horizontal cutaway
and small oval soundhole, a mahogany neck made to John Jorgenson's specification with ebony fingerboard and mother of pearl oval position markers. It also has a bone nut, a long 26-5/8" scale length, a moustache type bridge with movable compensated center. Gold-plated tuners and tailpiece (with its Dalmatian style tortoise inset) and a deluxe 5-ply wood hard shell case complete this extremely fine sounding package. $1,292 at our Discount Price or, $1,253 at the Cash Discount Price.
76-8160 Huss and Dalton (new) Traditional OM ordered custom in Brazilian and Adirondack, #2584, with Waverly brand nickel-plated, oval metal button tuners, with the tweed, plush lined hard shell case we have come to know and love.
I gotta tell ya – what we got here happens to be (and I’m not exaggerating in the slightest) one of the finest sounding and most beautiful guitars in our entire new guitar inventory. It is nothing short of stupendous, it sounds as lush and lovely, as clear and crispy, as liberated and lyrical as a six-string epitome of soul and solace can convey. The figure in the Brazilian wood reminds one of the penultimate sequence in the movie 2001 where outer space expands in a cacophony of color and shapes. The sides are pretty close to straight grain, the back looks like a satellite view of the grand canyon – an impressionist view of the layers of the crust of the earth, in a manner so symmetrical an so beautiful with lighter and darker browns cascading over one other, that seeing (and hearing) the instrument can literally make grown men and women weep copious streams of lachrymal effluence. The neck is modified V-shape, the heel cap, body bindings and end graft are grained ivoroid, the headstock is squared, the sides bordered in 2-ply, the top in herringbone. The abbreviated pickguard is tortoise shell celluloid, the bridge is carved of ebony. This guitar re-defines how fine a long-scale, 1 ¾” nut width, Auditorium-sized acoustic can be. It blows away the notion that a brand new guitar can’t be as good as a prewar, and it also blows the mind. The price is ridiculously low: Huss & Dalton seems to be the last hold-out at the old pricing on Brazilian guitars. Everybody else either won’t accept orders for the stuff (Collings, Gibson) or they are charging a _lot_ of money for it (Martin, McPherson). Get it while you can. $6593 or, at our cash discount price, $6395.
76-8750 Huss & Dalton (new) Traditional Custom Dreadnought, rosewood, Indian rosewood back and sides, red spruce top, Waverly 1129 Special Issue Vintage Oval tuning machines, #2613, with hard shell tweed case.
$3809 at our Discount Price or, $3695 at our Cash Discount Price.
76-8189 Huss & Dalton (new) Custom Orchestra Model, Cutaway, Engelmann Spruce Top, Claro Walnut back & side woods, Waverly 1129 Special Issue Vintage Oval Tuning machines, serial #2569 with hard shell tweed case.
$4287 at our Discount Price or, $4158 at our Cash Discount Price.
76-8231 Huss & Dalton (new) “FS” Fingerstyle Standard, #2603, cutaway, housed in a tweed high quality hard shell case.
This guitar has it all: an Engelmann Spruce Top, fine East Indian Rosewood back & sides, a shallow body depth, 00-style bracing, abalone rosette, a 3-7/8" sound hole, wide pattern black-white-black top purflings, a “neo-pyramid bridge,” 2-5/16" bridge saddle spacing, 1 3/4" vintage fretboard taper, 25.4" scale, a low-profile neck, a reverse taper (MJ) peghead shape, maple bound body & fretboard, small abalone dot fretboard inlays, the Huss & Dalton logo peghead inlay. It has a matte finish neck, gloss finish peghead, and a clear pickguard. A review by Pete Madsen states (paraphrased): The FS is the result of this company’s aspiration to delivery a sound comparable to its popular 00 model with a more modern style and feel; the FS has the body shape of their CM model, the depth of an OM and the light top bracing of the 00. I expected a guitar costing nearly $4, 000 to be a fine-looking instrument but the FS is positively sublime. The quatersawn Engelmann spruce top displays a shimmer and even grain that attests to its quality. The cocoa-brown Indian rosewood back and sides are elegant, revealing a rich, relatively loose, and speckled grain. The FS was designed as a fingerstylist’s guitar and will appeal to those who seek a contemporary tone. Bass strings ring out with the same vibrancy and clarity as the treble but with no boominess, making the guitar strikingly well-balanced. The U-shaped neck, both fast and easy to navigate, and the 2 5/16th string spacing gives fingerpickers room in which to work. The Maccaferri-style cutaway enables access up to the 19th fret, facilitating adventurous exploration of the higher registers. The Huss & Dalton FS is a perfect instrument for the experienced contemporary fingerstylist who can appreciate the delicate nuances of a finely made guitar but it will also reward anyone with a delicate touich who seeks a ringing, harmonically rich tonal palette. $3,572 at our Discount Price or $3,465 at our Cash Discount Price.
76-8233 Huss and Dalton (used, July 2001) Model MJC, a small jumbo cutaway, sunburst top, East Indian rosewood and Adirondack spruce, in excellent minus condition with original tweed hard shell case.
The Huss and Dalton factory has repaired a top crack that ran from behind the bridge at the high E string to the bottom. It has been repaired and cleated; they also humidified it. Using a flashlight, one can just about see the crack. The factory setup is extremely good. The finish on the face and back does reflect (pun intended) that it was stored in somewhat dry conditions for the first 7 years. Nevertheless, it plays easily; it sounds just wonderful. This extremely handsome guitar has the long scale neck of 25.4”, a nominally 1 ¾” nut width, a comfortable low-profile neck shape, fancy banjo-style fingerboard inlays forming repeating “flying-bat-of-doom” figures – six of them -- starting from the fifth fret that get progressively larger until the last one at the 12th fret which is actually fearsome, and then which becomes smaller again at the 15th. It is fairly unique having “rope” (alternating black-white) wood marquetry around the perimeter of the face, and double rope and black-ivoroid-black around the generous 4 ¼” diameter soundhole. The bridge is carved of ebony with countersunk pearl inlaid, black bridge pins; the back stripe is wood “zipper” pattern; the back and sides are bordered in polished rosewood with black-white purfling lines and the end graft is also the same with mitered purfling border. The headstock is essentially snakehead-esque with the “Huss and Dalton” pearl inlaid logo of many colors; tuners are gold-plated Schaller minis with ebony buttons. The condition is (except for that one minor beautifully repaired crack) solidly excellent, showing some dings, scuffs and light scratches here and there but far fewer than one might expect. It sounds clear, clean and refreshingly good, it is is beautiful beyond normal intensifiers, and it plays effortlessly. $4,119 or at our cash discount price $3,995.
78-7647 Lowden (used, circa 2002) Model O-32 non-cutaway, #12193, in excellent or even excellent plus condition, with aftermarket Fishman Matrix pickup and original hard shell case.
Lowden Guitars, currently located in Downpatrick, County Down, Northern Ireland is a legendary story. Their story is related on Wikipedia in far more detail than I have room for, but you can read all about it by clicking on http://en.wikipedia.org/wiki/George_Lowden. The gist of it is that George Lowden has dedicated most of his life to designing and building some of the finest acoustic guitars in the world. In or around 1976, at the age of 24, he began his luthiery career and supervised the building of guitars until 1988 at which time the ownership of the company was transferred to a consortium which continued George’s designs with the designer acting as a consultant. On January 1, 2004 the ownership of the company reverted back to George. At no time during the interim did quality flag – all of the Lowden guitars that were made in Northern Ireland are, in our opinion, of professional quality and beautiful to boot. This guitar has both of those qualities. It is a full jumbo-sized instrument measuring 16 3/8” in body width, 4 ¾” in depth at the bottom end. It has a long scale of approximately 25.4”, a nut width of 1 ¾”, a bridge string spacing of 2 3/16”. The woods are magnificent – East Indian rosewood for the back, sides, bridge and headstock overlay, high grade Sitka spruce (with considerable medullary rays) for the face, 5-pieces of mahogany and walnut for the neck, ebony for the fingerboard, and what appears to be ebony, spruce and walnut for the top purfling. The soundhole rosette is an approximately 5 1/8” diameter ring of colorful abalone bordered with ebony and spruce. The fretboard is neo-classical meaning it ain’t go to markers but, happily, it has 8 white side markers. The headstock is inlaid with the colorful pearl script, underlined, Lowden logo; tuners are gold-plated sealed-backs with the Lowden Guitar logo and amber buttons that look like semi-precious stones; body bindings are all maple. As you probably know – leading Lowden users include phenomenal fingerstyle guitarist Pierre Bensusan, the group Acoustic Alchemy, Richard Thompson and Shawn Colvin. That Fishman pickup, installed by its prior owner, sounds wonderful and, acoustically, this O-32 sings with the voice of the Leprechauns. $2985 or, at our cash discount price, $2895.
78-7193 Huss & Dalton (new) Custom DM, with Koa body bindings, Bearclaw Sitka spruce top, Mahogany sides and back, #2410-1MB, with plush lined hard shell case.
The sound is extraordinary – it very much pops with presence and sound pressure when you play it, as if the notes can’t get out of the guitar fast enough – they explode with sonic density. I would have expected no less from Bearclaw but the kudos go to Huss and Dalton for creating such an exquisite and beautiful instrument. The nut width measures just about (slightly less than) 1 23/32nds, making it just a little bit wider than 1 11/16ths but not as wide as 1 ¾”. For me this is the perfect width. $3,336 or, at our cash discount price, $3,235.
76-8700 C F Martin (used, late 2007) 000-18GE (Golden Era 1937), #1264438, in excellent plus condition with original black Geib style #535E plush lined hard shell case.
In an effort to get in touch with its own historical antecedents (“Hello, Mom?”) the C F Martin Company has gradually brought back, but not in a Pet Sematary way, the 000-18 of the mid to late ‘30s. Its salient features are numerous: Adirondack spruce top, and advanced X forward shifted Golden Era scalloped bracing. We present a fourteen fret to the body, 20-fret total, guitar having ¼” Adirondack bracing, genuine mahogany for the sides and back, a solid Brazilian rosewood back stripe and Brazilian squared-taper headplate veneer with the old style burnished gold script “C F Martin & Co., Est. 1833” logo, It is made utilizing mahogany blocks and a dovetail neck joint, has a black ebony fingerboard, bridge and heel cap, a short scale of 24.9”, a 1 ¾” nut width and a 2 5/16th string spacing at the bridge, a 1930s style belly bridge with a long saddle of fossil ivory, as well as a fossil ivory nut, Gotoh nickel-plated open-gear tuners with oval buttons, solid black ebony bridge and end pins. The 6 fingerboard markers are “old style -18,” being colorful pearl, positioned in diminishing size; the neck is “Modified V with ’30s Style taper.” Its interior label was signed by C F Martin, IV; the beveled and polished pickguard is Delmar tortoise color; the body is polished gloss finish and the back of the neck is matte (crosslink) finish. This guitar shows only the most minor signs of use and playing time – a few infinitely small dings and smudges, but it is 99.18% free of normal human contact. It sounds big, woody, airy, acoustically transparent and full of vintage era vitality. For a fraction of the price of the 000-18 Authentic you get a guitar you can hang your hat on. Well, you can hang your hat on any guitar but you’d be right proud to hang your hat on this one. $2,366 or at our cash discount price $2,295.
15-6674 C F Martin (used, 1955) 000-18, #142663, in very good condition with a newer hard shell case to be provided.
This guitar was played (a lot) over its 54 year tenure as a fine Martin Auditorium-size acoustic in Sitka spruce top and mahogany sides and back. It shows the normal signs of playing time – scratches and scuffs, dings and chips, apples and bees and finish checking. But, because our professional workshop of consummate artisans has performed a neck reset and refret (using Dunlop fretwire), planed the fingerboard so that it is level and smooth, reglued the Brazilian rosewood bridge and installed actual Waverly brand butterbean button nickel-plated tuners to replace the horrors from the planet Zorg that once inhabited its pretty little headstock, this guitar plays like drawn butter. The fingerboard is resplendent in its medium to dark brown grain eccentricity (the beautiful old stuff), the top is bordered in four plies of ultra thin white-black purfling, the sides in rich Corinthian tortoise shell celluloid. The soundhole benefits from three concentric circles of purfling, the middle of which is 11 plies of light and dark; the back stripe is a thin black line, the back of the neck, which measures nearly 1 11/16th at the nut, is rounded and comfortable, neither low profile nor V-shape. The headstock’s Brazilian rosewood overlay has curved edges, per the period when the fixture wore down, and the decal is “old style” with the burnished gold script reading “C F Martin & Co., Est. 1833.” The fingerboard is marked with 6 mother of pearl dots of decreasing size and the sound is scrumptious, the sustain goes on forever, and the tone melodious and masterful. It is a guitar for all reasons, and all seasons. It’s a guitar that was played, and from which reputations are made. $5671 at our discount price, $5500 at our cash discount price with a nice case. A nice case.
76-8686 C F Martin (new) D-21 Special dreadnought acoustic guitar, serial#1308970,
solid East Indian Rosewood back & sides, solid Sitka spruce top, polished gloss finish, Low profile neck shape, 25.4" scale length, 1-3/4" nut width, bone nut, Ebony fingerboard & pyramid bridge, Gotoh nickel Open-geared tuners with oval buttons, and #545E hardshell case. The CF Martin List Price is $3849 and the CF Martin MAP Price is $2899.
76-8739 &76-8738 C F Martin (new) 000-16GT gloss top acoustic guitar, serial# 1315480 & # 1314676,
Solid Mahogany back & sides, Solid Sitka Spruce top, Herringbone rosette, modified low oval neck shape, white corian nut, 1-11/16" nut width, Black Micarta fingerboard, 25.4" scale length, Compensated White Tusq saddle, Tortoise color pickguard and #330 hard shell case. The CF Martin List Price is $1449 and the CF Martin MAP Price is $1049.
76-8740 New C F Martin 00-18V, serial #1311631, small bodied acoustic guitar, solid mahogany back & sides
and solid sitka top, 1/4" scalloped braces, modified V neck, bone nut and saddle (drop in long saddle), ebony fingerboard & bridge, 24.9" scale length, 1-3/4" nut width, Tortoise pickguard, Gotoh nickel non geared tuners w/ Butterbean knobs and Geib style (534) hard shell case. The CF Martin List Price is $3349 and the CF Martin MAP Price is $2499.
78-7505 C F Martin (new) Custom Shop D-41 “Turbo”– A fancy dreadnought with the unexpected addition of an Adirondack top, advanced X forward shifted ¼” scalloped braces, and a Geib style hard shell case.
A guitar that is “Beyond Words” fine. Wait ‘til you hear it! It is like nothing else you have ever encountered – simply one of the finest sounding and most beautiful new Martin dreadnought guitars we have recently played or heard! Martin has never made this guitar themselves – so we got them to build it just for us! It has the greatly desired all-solid Adirondack “Red” Spruce top, choice all-solid East Indian rosewood sides and back, Advanced X-Forward Shifted Scalloped Braces and not only that but the bracing is ¼” instead of the standard 5/16”. Wow! What an incredible sound this has! It thunders like a lightning storm over the Grand Canyon, and it comes with the #535 Series (deluxe) Geib Style hard shell case (another thing that regular D-41 guitars don’t come with). Of course it has the white bindings and the abalone soundhole and hexagonal mother of pearl fingerboard inlays in a jet black board. Your friends will be stunned to utter silence. Everybody who hears it wants it, but we’re making only 5 at a time. So do call. Your cost on this extremely fine, unobtainable on the standard market, guitar is $4,407 at our Discount Price, or, at our Cash Discount price, $4,275.
76-8730 C F Martin (new) D42HQ Bubinga, Individual Number 6 of only 17 made total, Martin number 1304094, fourteen fret dreadnought housed in a special slate gray exterior Geib Style 545E hard shell plush lined case.
When Martin can only obtain a very small amount of a specific rarified tone wood, they sometimes make a short run. Sometimes that run is 30, as is, say, the next guitar listed – the OM-42FM, but in this instance all they had was enough of this outstanding wood for 17, and we have No. 6. This guitar sounds simply and utterly amazing! The lightest touch produces the biggest, strongest sound you have recently heard. Here’s just the facts, madam: First we’re tawkin about a dovetail joint (high grade) guitar with mahogany blocks, but you probably knew that. Then you got your solid Adirondack spruce top and your solid highly quilted Bubinga sides and back. According to Wikipedia, “Guibourtia [which is what Bubinga is] is a flowering plant genus in the family Fabaceae (the legume family). It contains 16 species, native to tropical regions of Africa (13 species) and South America (3 species). They occur in swampy or periodically inundated forests, as well as near rivers or at lakeshores. They are evergreen trees growing to 40–50m tall, with a trunk diameter of 1–2m, often with a heavily buttressed trunk. Now, buttress roots are large roots on all sides of a tall or shallowly rooted tree. Typically they are found in rainforests where soils are poor so roots don't go deep. They prevent the tree from falling over (hence the name buttress) and help gather more nutrients.” Is this more than you wanted to know? You should go online and see the photos of this – a very strangely shaped tree, but then it probably feels the same about us. The guitar is, on the underside of the face, forward shifted, advanced X scalloped with 5/16th” Adirondack bracing; the bindings, fingerboard, end piece and headstock overlay are all solid Brazilian rosewood! The bridge on the other hand is ebony with a long, do-drop-in saddle, and a 16” radius. The top, back, sides and neck are polished gloss finish; the fingerboard is 1 ¾” at the nut and 2 5/16th” string spacing at the bridge. Tuners are Gotoh gold open-gears with logo-engraved buttons – impressive. Did you know that the bridge and end pins are camel bone with select pearl dots? Neither did we. The neck shape is modified V and the fingerboard is inlaid with style -42 snowflakes (appropriate because this is a Style -42 guitar) and the headplate is inlaid with “C Martin F” vertically in select abalone pearl. The Bubinga takes the form of golden highlighted woods comprised of tens upon tens of thousands of small but conjoined “birds eye” patterns of bubbles bouncing in a fast moving stream. The effect is hypnotic but hearing and playing the guitar, even briefly, will wake you from your stupor and propel you, flying, into another dimension where life is beautiful, all the time. The Martin List is $9999 and the Martin MAP is $7999.
15-5697 C F Martin (new) OM-42FM “Flamed Mahogany,” Individual No. 19 of 30 made total, #1177753, with Geib style hard shell case.
Every now and then the C F Martin Guitar Company comes out with a model that is made with wood so scarce that they can make only a tiny number of them, often, as here, a run of just 30. Some of the other phyla they’ve chosen include Tulipwood, Amazon and Cambodian rosewoods, Tasmanian Blackwood and German White Oak for the Arts & Crafts 2 Model. Not only is the wood from their (really really) special stash – the collection of wood that they keep under lock and key, behind a curtain of half-inch steel drapery, and visitors are not allowed to take pictures of this stuff (not making this up – we’ve been in the inner sanctum and that’s what we saw and that’s what we were told), but also they dress the guitar up in finery not seen since the last crown coronation. In this instance you have an Orchestra Model guitar with its 1 ¾” nut, 2 1/4th” bridge spacing according to Martin and 2 3/16th” from 6th to 1st string according to our Magic Ruler) and a low-profile, and the de rigueur long scale of 25.4” nut to saddle. The wide-grained, perfectly clear (no bearclaw, no run-out) top is solidly Adirondack “Red” Spruce, as its friends call it; the soundhole has the Style -45 Roseete with abalone at the center of three concentric circles. Being a -42 means that it also has abalone trim around the face and, as well, the perimeter of the fingerboard peninsula -- but that’s just the beginning. The black ebony, ivoroid-black-ivoroid bordered fingerboard is inlaid from the first to the last fret with the “Vine Of Harmonics” pattern, designed By Dick Boak who we commend, as well as for the excellence of his work in Martin design and artist’s relations, for the originality of this inlay pattern’s name. This inlay pattern has a lot of thorns and sharp edges, a wishbone at the top, dual flowers at the fifth, 12th and 16th, a glowing starburst at frets 3,7,9 and 15, a single flower at the 2nd, and crossed stems on the 19th and 20th. The polished ebony headstock is jet black, triple bound with grained ivoroid outermost, and starkly bears only the script abalone C F Martin & Co. Est. 1833 inlaid logo. Tuners are gold plated “C F Martin/510” logo sealed backs with large ebony buttons. We’ve never noted the “510” legend before. The neck is attached to the body in the dovetail fashion using actual mahogany blocks. The pickguard is abbreviated and tortoise color with beveled edges, the back and sides are solid Flamed Mahogany which looks like tiger-striped flame maple except that it’s really mahogany. Wood like this doesn’t grow on trees, y’know; it’s hard to find and harder still to part with. The interior paper label is hand-signed by C F Martin IV. This is a guitar for a connoisseur, for a lover and appreciator of rare materials, great sound and extremely rarity in the annals of C F Martin collectible guitars. The Martin List is $9999 and the Martin MAP (the minimum advertiseable price) is $7999.
76-8124 C F Martin (new) OMC Aura, #1302087, electric-acoustic cutaway with the remarkable Fishman Aura pickup system, with plush lined hard shell case.
The C F Martin List Price is $3,649 and the C F Martin MAP is $2,749.
76-8149 C F Martin (new) JC-16RGTE Aura, #1297176, with hard shell case.
The C F Martin List Price is $2499 and the C F Martin MAP is $1849.
76-8721 C F Martin (new) OM-21 Orchestra Model, #1311331, with Martin thermoplastic #640 hard shell case.
The OM-21 is the biggest and best bargain in the Standard Series. That’s because it happens to be scalloped braced, long scale, an Auditorium-sized body with a Dreadnought sale (25.4”) neck, redolent with the bold and brilliant sound for which this model Martin is famous, and yet for all its polish and panache it is priced under $2000. The first thing we need to discuss is that serial number – a series of ones and threes. I’d recommend buying it for the serial number alone! When are you ever going to have a chance to own a new Martin with a better number than that? It goes without saying that this number has four “1s” and three “3s” and that if you add up all the numbers it’s “13” which I’m sure I don’t have to tell you is ALSO comprised of a “1” and a “3.” Oh my goodness. This may be the omen for which we were looking – the harbinger that foretells the arrival (and not a moment too soon) of the New Era. Anyway . . . this guitar is an acoustic 14-fret made out of ordinary East Indian Rosewood for the back, sides, and headstock overlay, fingerboard and bridge, with a solid genuine Sitka Spruce top, having 1/4" scalloped braces under that top, a bone nut and saddle, a comfortable 1-3/4" nut width, low profile neck. It has every feature we who pick with the fingers desire in a new professional quality flattop, whose sound, beauty and serial number converge to take us to the “next level” in the continuum, the eternal quest that we call the ecstasy of salvation; or, if you will, the consummate achievement of spiritual joy, and yet the C F Martin List Price is $2699 and the C F Martin MAP is $1999.
76-8699 CF Martin (new) OM-30DB Pat Donohue, serial #1299884, with a special Geib style hard shell case. Pat Donohue is the guitarist on A Prairie Home Companion.
The model that he helped design and that bears his name inside is refreshingly uncommon and surprisingly articulate, made, as it is, with one-quarter inch Adirondack scalloped braces and an Adirondack spruce top. The surprising part is that it has a deeper body than most OM guitars being around one-half inch greater in depth. It has the tasteful initials “P D” inlaid at the 12th fret, and it comes with a special case to accommodate that deeper body. It sports Style -30 fingerboard inlays which are similar to a -42 except for having a snowflake at the 5th and a slotted Maltese cross. You need to try this one out in person – it may inspire you to create new music at the extremely high level of creativity and performance panache as has its namesake. The C F Martin List Price is $6799 and the CF Martin MAP is $5399.
76-8073 C F Martin (new) D-21 Special, #1291735, with hard shell case.
This Martin new polished-gloss body dreadnought model really is special; it abounds with surprises. First of all, it sounds absolutely incredible! We have not been as impressed by a Standard Series Martin acoustic guitar in quite some time. It hosts a dovetail joint construction, the old, squared Martin headstock shape with a large, old style black, bordered gold script decal logo. It has faux-oxidized oval-button pewter-color Martin logo open-gear tuners and, on the 14-fret-to-the-body-joint fretboard, four etched diamonds in a black ebony background; it has a long scale, a welcome 1 ¾” nut width a a 2 5/16th generous bridge spacing. The back stripe and the soundhole rosette are both herringbone in maple; the bridge is an ebony pyramid style (which we applaud); the body bindings are solid East Indian rosewood and the end graft, bridge and end pins are ebony. It displays nothing but wood – everywhere you look – and this, we believe, is what gives this guitar its extraordinary sound. And yet it is priced SO modestly: The C F Martin List Price is $3699 and the C F Martin MAP is $2799.
76-8138 C F Martin (new) M-38, #1280242, with hard shell case.
An innovative guitar that was born around 1976, the result of an unfortunate vivisection of a prewar Martin F-9 archtop during a series of clandestine experiments being carried out by renegade physicians during the Cold War. This guitar was raised as a flattop and so it has no persistent memories of grazing in the fields with other archtops while enjoying a bucolic, sylvan existence in the halcyon hills of lower Nazareth. If you are seeking a well-centered, non-neurotic instrument that will actually make you feel better about your own life in these uncertain times, this guitar will do it all. It provides you succor in a time of stress and skepticism. The slimmer depth with the wider body (it’s 3/8” wider than a dreadnought), the ebony fingerboard with the rosewood bridge – this instrument stands apart, and as a player you may want to do so, as well. The C F Martin List Price is $2,814 and the C F Martin MAP is $2,729.
76-8123 C F Martin (new) HJ-38 Stefan Grossman, #1292528, individual Number 71 in the series, with hard shell case.
Behold a small pattern-herringbone trimmed, jumbo-bodied behemoth in Madagascar rosewood sides, back and headstock overlay, with a select Sitka top sporting a Style -45 abalone rosette and medium deep aging toner. It has the favored 1 ¾” nut width and the 2 5/16th” bridge spacing. It has grained ivoroid body, neck and headstock bindings with the crème-black purfling, it has a multicolored -45 style back stripe, and etched diamond, snowflake and cat’s eye fingerboard pattern, an abalone vertically-inlaid “C Martin F” logo and, not unlike my uncle Alistair, a two-ply bordered ivoroid butt wedge. It has actual Waverly brand gold-plated butterbean-button open-gear tuners, a modified V-shape neck and a sound that rolls forth from the proscenium of the Grand Auditorium in West Heaven. What a great combination of fine wood and deluxe appointments, what a sound! Stefan signs the square paper label. The guitar (at least when it is brand new as it is on this day) is redolent of the cedar kerfing your great grandmother used to frame the octagonal stands she made from worn out firkins, on which she used to mount her Halloween pumpkins. An exceptional piece, you should come visit our showroom and try it for yourself, or call us up and we’ll play the guitar for you over the phone and moan quietly at the appropriate moments. The C F Martin List Price is $4999 and the C F Martin MAP is $3999.
76-8099 C F Martin (new) 000-18, #1299068, a good-old-reliable model, with hard shell case.
The C F Martin List Price is $2649 and the C F Martin MAP is $1999.
76-8152 C F Martin (new) 000-18GE, #1302480, with hard shell case.
The other side of the spectrum from the regular 000-18, this guitar bestows its owner with an Adirondack spruce top, and advanced X forward shifted Golden Era scalloped bracing. This guitar has it all: it is a fourteen fret to the body guitar having ¼” Adirondack bracing under the top, genuine mahogany for the sides and back, a solid Brazilian rosewood back stripe (though you would never in a million years know that to see it), and Brazilian headplate with squared edges and the old style burnished gold script “C F Martin & Co.” logo, It is made with mahogany blocks and a dovetail neck joint, has a black ebony fingerboard, bridge and heel cap, a short scale of 24.9”, a 1 ¾” nut width and a 2 5/16th string spacing at the bridge, a 1930s style belly bridge with a long saddle of fossil ivory, as well as a fossil ivory nut, Gotoh nickel-plated open-gear tuners with oval buttons, the interior label was signed by C F Martin IV. The pickguard is Delmar tortoise color, beveled and polished. It sounds amazing. On this brand new one the C F Martin List Price is $4099 and the C F Martin MAP is $3099.
76-8151 and 76-8150 C F Martin (new) 000-18 Norman Blake, #1269957, and #1248429, each with Geib style hard shell case.
One of our favorite models, this is a 12-fret wide-neck with a solid headstock for fast, easy string changing. The combination of the mahogany sides and back with the Adirondack spruce top produces a sound that is both thrilling and chilling. So fine! The C F Martin List Price is $4599 and the C F Martin MAP is $3699.
15-6513 C F Martin (new) D-28 Marquis, #1223058, sunburst top, with Geib style hard shell case.
The Martin Marquis model combines select, solid East Indian rosewood with an Adirondack spruce top, in this instance in a dreadnought model made to conform to most (but not all) of the specifications of a guitar made in, say, 1938. It retains an adjustable truss rod, it has a modified V-shape neck and not the full-V, and the glues used to keep it all together are aliphatic modern glues and not the animal kind, but be that as it may, it still sounds absolutely incredible and is 13.5% the price of the next one up – the D-28 Authentic (which we have, by the way, if you’d like to visit it). Contrast and compare. Resist if you dare. The C F Martin List Price is $5399 and the C F Martin MAP is $4049.
76-8153 C F Martin (new) OMC-28 with Ellipse AURA System, serial #1246386, with hard shell case.
A well thought out fingerstyle guitar in the OM body with a cutaway; made of all solid, gloss finished, East Indian rosewood and Sitka spruce, this also has one of the most sophisticated pickup systems extant – tuned to work perfectly with this very guitar. The best of the old (the OM was invented in 1929) and the best of the new (you can’t ignora, it’s an Aura). The C F Martin List Price is $3699 and the CF Martin MAP is $2799.
76-8159 CF Martin (new) LXM Tenor Travel guitar, serial #MG79006 with gigbag.
Made entirely from high pressure laminate, this actually sounds quite good, and is portable enough to take just about anywhere, in its beige C F Martin zipper gigbag. The C F Martin List Price is $599 and the CF Martin MAP is $449.
76-8148 and 76-8179 C F Martin (new) D-28 Acoustic Dreadnought guitar, serial #1289639, and #1290930, each made of solid Indian Rosewood back & sides,
solid Sitka Spruce top, low profile neck, striped ebony fingerboard and bridge, bone nut, 16'' radius, compensated bone saddle, Gotoh chrome tuners w/ large buttons and each being housed in a Martin 640 molded hardshell case. The CF Martin List Price for either guitar is $2849 while the CF Martin MAP $2149.
76-8178 C F Martin (new) D-18 (Standard Series) acoustic dreadnought guitar,
serial #1307599, mahogany back & sides, Sitka spruce top, a low profile neck shape, a bone nut & saddle, 1-11/16" nut width, 25.4" scale length, rosewood fingerboard and bridge and #640 thermoplastic, molded hard shell case. The C F Martin List Price is $2499 and the CF Martin MAP is $1899.
76-8223 New C F Martin D18 Golden (1934) Acoustic guitar, serial#1300189 ,
Mahogany back & sides, Adirondack Spruce top, Scalloped braces, modified V neck shape, fossil ivory nut & saddle, 1-34" nut width, 25.4" scale length, ebony bridge & fingerboard, Waverly Nickel tuners with Butterbean Knobs, and Geib style #545 hardshell case. The CF Martin LIST Price is $4349 and the C F Martin MAP is $3299.
76-8185 CF Martin (new) D-35 dreadnought, serial #1307538, the Standard Series guitar with the lighter ¼” bracing – what a great sound (!) with Martin 640 thermoplastic hard shell case.
The C F Martin List Price is $2949 and the CF Martin MAP is $2199.
76-8177 CF Martin (new) Car Talk Special, serial #1303032, with hard shell case.
The CF Martin List Price is $6499 and the C F Martin MAP is $5199.
76-8169 New C F Martin D-21 Special dreadnought acoustic guitar, serial# 1291736, solid East Indian Rosewood back & sides,
solid Sitka spruce top, polished gloss finish, Low profile neck shape, 25.4" scale length, 1-3/4" nut width, bone nut, Ebony fingerboard & pyramid bridge, Gotoh nickel open-geared tuners with oval buttons, and #545E Geib style hard shell case. The C F Martin List Price is $3699 and the CF Martin MAP is $2799.
76-8183 Martin (new) HD-16RA – the brand new solid East Indian rosewood-aging-tonered Adirondack-topped acoustic #1308589, with black hard shell case.
The sheer volume of variation -- the imagination and capacity for creativity from the good folks who work on Sycamore Street in Nazareth boggles many minds. For years we have thought of guitars made with the lofty luminosity of the Adirondack (or “Red”) Spruce top – you know, our dear old friend Picea rubens the Wide-Grained whose halcyon habitat ranges from eastern Quebec to Nova Scotia, Canada, and from the Appalachians in North Carolina up through the Adirondacks and into New England -- yes, that Picea rubens, to be costly and dear and worthy of inclusion only in the collections of the well-compensated and the chaste. Now, however, through modern methodology and the benefits of good engineering, we can make available to both the humble and the hedonist-on-a-budget this wide-grained, tunefully prodigious phylum in an affordable package. Fine touches abound – from the herringbone wood marquetry top border to the wooden zipper marquetry back stripe, from the squared headstock with the six Martin-logo sealed gear tuners with metal buttons to the black and ivoroid bordered end graft, from the 7 etched-diamond fingerboard markers in an ebony unbound ‘board to the carved, striped ebony bridge and beveled-edge tortoise shell color pickguard, this is an instrument about which whose ownership any player can be proud. The benefit is not lost on us that the fingerboard is a generous 1 ¾” at the nut – i.e., the OM width for more facile finger picking but equally suitable for plectral flagellation. This guitar sounds sublime, plays without effort, and is made from the very materials that your maternal great grandmother, Billijoelle, promised that you would someday own if you worked hard, if you behaved. Way too good a guitar for only a C F Martin List of $2999 and a CF Martin MAP of $2199.
76-8729 C F Martin (new) D-18 (in the illustrious Standard Series) acoustic guitar, #1314179, the stately dreadnought mahogany back & sides,
Sitka spruce top, having a low profile neck shape, standard non-scalloped bracing to emphasize the midrange, a bone nut & saddle, an 1-11/16" nut width, a 25.4" scale length, an East Indian rosewood fingerboard and bridge and a Martin Model 640 thermoplastic hard shell case. The C F Martin List Price $2599 and the C F Martin MAP is $1999.
76-8199 McPherson (new) MG 4.5XP, Brazilian Rosewood & Western Redwood woods, RTS 2 Pickup System, serial #1132, with deluxe Ameritage hard shell case.
What can one say about a Brazilian and Redwood McPherson 4.5XP? That playing it thrills each lucky lothario to the core? That two people who visited this past weekend each independently said that a) they’re not sure that they can live without owning it but b) if they brought it home they would be dead meat? Sometimes a guitar comes along that sets a new standard for vibrating vessels of the six-string persuasion; this is one such mellifluous morsel. It is a fretted instrument that is completely, in every possible way, uncompromised. It is an experience as vivid and vertiginous as vinning the one hundred and ninety six million dollar Mega-Lottery. It is just one small step below dying and going to Heaven except without the dying part. If the life you are living is nearly fulfilling with one thing remaining that still defies naming, the answer may lie in a guitar you can buy, the Brazilian McPherson from that guy in S.I. Don’t think of it as money, think of it as the tuition for the College of Eternal Happiness. Insanely inexpensive (for this phenomenal phyla at only $9,073 at our Discount Price or $8,800 at our Cash Discount Price.
76-8227 C F Martin (new) 00-21GE Custom Shop, #1304864, with Geib style hard shell case.
Those of us who had a melancholy desire to own a prewar, a ‘50s or even a ‘60s 00-21 from back in the folk boom era can now hold up their heads, arms and wallets in preparation for ownership of what is one of the most exciting six-string small-boded new instruments to hit the runway since the Martin Company made a very small number of them in March of 1999. These Adirondack spruce top misleadingly petite objects of celestially reciprocating mechanical motion have at times been compared with a nine-foot tall paint-mixing machine that resides the corner of your bedroom for use on those nights that sleeping seems elusive. More than just an ordinary guitar, this wide neck slothead 12-fret will allow both your spirit and your self-confidence to soar. This gorgeous and astonishing sounding instrument is, if you cast your mind back, a guitar that Martin once made but makes no longer – the Grand Concert, 14.5” wide with an actual waist (and what a waist!) and it is housed in the beautiful (and intelligent) #535 Geib style hard-shell plush-lined case. This is the delightful, profoundly powerful (yet small) throw-back to the earlier era that has the wooden four-ply ebony and spruce top purfling, the tortoise shell celluloid top and back binding, in solid East Indian rosewood and solid Adirondack “Red” spruce top, that has the square-slotted, squared headstock with the small old style black-bordered gold “C F Martin & Co.” logo, 1 13/16th” nut width, generous 2 3/8” bridge spacing, the prewar appointment of four small abalone etched diamond fingerboard inlays in a jet black ebony fingerboard, scalloped ¼” Golden Era bracing, black-white Boltaron® top purfling, black ebony fingerboard and bridge, real Waverly #4063 nickel side-mounted tuners, herringbone soundhole rosette and back stripe, a short scale of 24.9”, old style, beveled edge tortoise shell type pickguard, squared headstock with squared slots, modified V-shaped neck and a white bordered black end-graft with an ebony heel cap. It produces outstanding volume and tone and it does so from a small platform. How much would you pay for a sofa of this quality, I though I heard somebody ask. Because this is a Martin Custom Shop Guitar we are allowed to tell you the actual selling price, which is kind of a bargain at only $3087 at our Discount Price, or $2995 at our Cash Discount price.
76-8221 McPherson (new) MG 3.5 Acoustic Guitar, East Indian Rosewood
& Engelmann Spruce, serial #1359, with the L. R. Baggs RTS pickup system and housed in a deluxe Ameritage hard shell case. $4,536 at our Discount Price or $4,400 at our Cash Discount Price.
76-8197 McPherson (new) MG 5.0XP, Granadillo & Bearclaw Sitka woods, L. R. Baggs wonderful RTS 2 Pickup System, serial #1339, with deluxe Ameritage hard shell case.
$4,536 at our Discount Price or $4,400 at our Cash Discount Price.
76-8704 McPherson (new) MG 4.5, striped Macassar ebony back and sides,
western redwood topped acoustic-electric bearing the excellent L R Baggs RTS 2 pickup system with the hidden volume control in the offset soundhole, serial #1368, with deluxe Ameritage hard shell case. $5,670 at our Discount Price or $5,500 at our Cash Discount Price.
48-3978 RainSong Advanced Series A-WS1000, in the red finish graphite top, #8322, with a gigbag.
This is “New Old Stock” (NOS-Feratu for short) – an Auditorium body, cutaway, six-string instrument made entirely using Carbon Fiber/Graphite composites; having a brace-free soundboard and Projection Tuned Layering™ for pristine detail, warmth and volume of the classic Carbon tone. They say “Clear, rich and resonant, similar to a piano, with a treble that rings with crystalline clarity and a base [sic] that is warm without being muddy.” The ultimate workhorse - like other RainSong guitars we sell this instrument is impervious to changes in temperature and humidity; it has an adjustable, super fast graphite neck with low action and no dead spots. The soundboard will not belly, sink or crack (would that we could say the same about ourselves) due to changes in the environment. It comes with the manufacturer’s Limited Lifetime Warranty, and it is made in the USA in, of all places, Woodinville, Washington. THIS GUITAR IS NOW ON SALE. At the time we bought it the List was $1499, and the MAP $1199. THEN RainSong raised the List and MAP and now it’s $1875 List and $1399 MAP. But it’s been in stock since October 5, 2005 and that was over two years ago. So it’s ON SALE. Please call or email for how ON SALE this is. You will be so pleased! Thanks.
76-8134 and 76-8144 RainSong (new) OM-1000, #10193 and #10199, each with hard shell case.
A superb sounding all-graphite composite construction cutaway instrument with a built-in Fishman Stereo Blender pickup system. The List Price is $2,995 and the RainSong MAP is 2,249.
76-8693 Renaissance (new) RS6-Standard Deuce Model, #08-2636, specially-ordered in Koa and Cedar, with a zipper gigbag. Rick Turner is and has always been an American Original.
Through his exciting line of “Ampli-Coustic” guitars Rick redefines the capabilities of the six-string amplified instrument. About this series he says that these guitars serve the very real need to reproduce full-frequency acoustic tone in electronic recording and performance settings - a job that, ironically, true acoustics are not cut out for! The thinline body is built like a fine acoustic guitar, but with an added mahogany center block to cut feedback. A Turner piezo bridge pickup feeds full-spectrum signals to an 18-volt D-Tar pre-amp. This line is available in 6-string steel or nylon classical, 12-string steel, and 6 or 12-string baritone. What’s interesting is that we have nearly all of these variations in stock, in our inventory. You must stop by and try them. And then, just to keep it really interesting, Rick produces variations on the theme – in this instance he takes the regular RS-6 (Renaissance Steel String Six-string) and he adds a special Seymour Duncan built-in humbucking pickup that’s mounted slightly closer to the bridge than to the neck.Rick Turner (himself, the genuine antarticle) would like to add that the pickup system is now a D-TAR (Duncan/Turner Acoustic Research) "Timberline" du dix et huit (“from the ten and eight”) volts. The scale length is 25 1/2" or 25.50", if you're more machine shop-oriented, and no, we don't speak no stinkin’ Napoleonic metric here. . .and the center block in the body is Western Red Cedar, the stuff prized for classical and some steel string guitar tops. It is a magic wood. I know, I know, the wood doesn't matter, so sayeth thems that doesn't hear; but we changed from mahogany to cedar and the guitars suddenly sounded more "acoustic" plugged in as an ultimate irony. And that's the truth...
The RS6 is generally described as having a cedar top with a clear polyurethane finish – exceedingly thin – only .008” film thickness; the back and sides are usually walnut or cherry finished with oil-modified urethane but in this case the guitar was specially made with gorgeous Hawaiian Koa wood. It utilizes New Zealand Paua shell dots and side markers in its East Indian rosewood fretboard – and while the board has 14 frets to the body on the bass side, with its 3 5/8” deep cutaway the player can access every fret right down to the last, 24th one. That’s two full octaves, friends. On this guitar you will find black matte finish top binding to contrast gently with the golden-hued Koa, no neck or headstock binding but a Koa wood headplate that may freeze you in your tracks. Said headplate bears the gold and black encircled lion with sharp teeth and his tongue sticking out in the manner of Gene Simmons. It has six spectacularly accurate sealed-back tuners, each bearing the Stylized “R” logo which could stand for Renaissance, with shiny black metal buttons. It has a dual-action truss rod so you won’t have to worry about adjustment issues, a 24 1/2" scale, a nut width of 1 11/16". This model comes factory-equipped with expensive Thomastik-Infeld Spectrum Bronze strings. Let us not forget about the Turner-designed piezo bridge pickup in combination with the18-volt Turner pre-amp, or that the tone controls each have 11 detent positions and are designed to be as Low-Noise in performance as volume and tone controls get. The guitar has twin phone-plug jacks on the treble side which when played through two separate amplifiers expand the proscenium to wall-to-wall and enable a player to negotiate from the sweet sonority of the piezo to the Tasmanian Devil-style bone-crushing aural attack of the splendid Seymour pickup with the eight raised magnets to the west and the four “we’re hiding” poles on the eastern border. This is not an instrument for the timid or the tame -- on the contrary it is a guitar for a musician who seeks to control the room and drive the band. The price, with its well-made Renaissance gigbag included is very (very) reasonable at only $2388 at our Discount Price, or at our Cash Discount Price, $2316.
76-8136 Santa Cruz (new) Bob Brozman Baritone D model, #5736, with hard shell case.
The Santa Cruz Bob Brozman model is, in our opinion and that of actual magazine writers who review things like this, the leader in the under-$4000 price range, the stentorian potentate, the prince of presence, strength and tone; it is melodious yet it takes up most of the space in the room when it speaks with radio-announcer articulation. The reason it is so good (and powerful, like a merciful monarch) is because it has the 27” scale and the wider neck suitable for baritone playing. It is plentiful with the herringbone topography, border and soundhole, a zipper back stripe, and it has the tasteful position markers of four etched mother of pearl diamonds. Its tuners are gold and side-mounted on the squared-slot open peghead, its bridge pins are inlaid and countersunk and once you have felt these low-rider pins under your palm you may never want to go back to the silent cylindrical sentinels that stand stout and tall and are useful if you wish to demonstrate stigmata. With the Brozman Baritone you can play at any volume including wincingly loud, you can sound like a cello or a growling lion, whichever metaphor scratches you under the chin (and behind the ears). The Brozperson-Barry sounds like no other six-string you have ever heard or will hear, and owning it will set you apart from the masses. It is, more than you know, like being acquired by the angels, all over again. $4438 at our Discount Price, or $4305 at our Cash Discount Price.
76-8242 Santa Cruz (new) Tony Rice Acoustic Guitar, with Adirondack Top, serial #5794 with hard shell case.
This one is custom order with an Adirondack “Red” Spruce top. As colossally great as a regular Tony Rice is, and you know what I mean, dahling, this one will shake your portals and rattle your porch. Everything about the Tony Rice Model is refreshing and inviting. The squared polished ebony headstock with the squared edges sets the mood – offset as it is by actual Waverly brand butterbean button nickel plated tuners. The fingerboard is stark and dark – black ebony inlaid only with the “Scgc” logo at the 12th and 13th frets in white pearl in a cream bound longer fingerboard that extends into the oversized soundhole (4 3/16” diameter for more sound, more energy, more projection and a direct connection to Tony Rice’s style and sound). The top and soundhole are bordered in han‘bone, the sides and back are select grade East Indian, the top is, of course, the finest tone wood from which a guitar top can be made, simultaneously crispy and yet mellow, and the back stripe is comprised of zipper wood marquetry. The diamond dart on the back of the neck at the nut is worth the price of admission to the monastery – it is as sharp as your need for a fully professional guitar that represents the best in modern production luthiery. $4866 at our Discount Price or $4720 at our Cash Discount price.
76-8724 Santa Cruz (new) Tony Rice dreadnought acoustic guitar, in the optional sunburst finish, #5831, housed in a special brown leatherette hard shell case with a green plush lining.
But it isn’t just the green plush lining, no, and it isn’t just the fact that this is a sunburst finish guitar finished in a three-tone shading that sucks you into the vast vortex of Bermudian triangulation. No – it’s the sound – the extreme string-to-string art-tickle-you-lation, the melodious blend of its chordal countenance, the nearly string-quartet-like lyricism of its legendary aural liquidity. It’s all here before you -- the lucky player/owner who gets to live with this monolith of melodiousness in his or her indoor stable. This particular example is made from hand-selected East Indian rosewood back & sides, so straight-grained and highly contrasted (espresso against the mocha) that it resembles the Brazilian unmentionable, a Sitka spruce top that is a closely grained tapestry of cross-silking, a medullary marvel. Other features include ivoroid body and fingerboard binding, herringbone top border and soundhole rosette, a zipper-pattern wood parquetry back stripe that continues on the bottom side as a butt wedge, a solid headstock with sharply defined top edges and a ebony overlay with NO logo (if one can even imagine this). There are also no fingerboard markers, only a script pearl inlaid “Scgc” logo on frets 12 and 13. The nut width is said to be 1-11/16" but when you measure it with “the magic ruler” it actually depicts a distance closer to 1 23/32nds” – which perfect size we applaud, or we would applaud if we weren’t playing the guitar. The scale length is 25.375"; tuners are Santa Cruz brand open-gear with butterbean buttons. But it is ultimately the beauty of the three-tone top and the distinctive, luscious, loveable sound that convinces anybody who plays it that this is the guitar we loves to love. $4,482 or, at our cash discount price, $4,347.
76-8143 Taylor (new) 214-CE, #20080818209, Grand Auditorium, rosewood with hard shell case.
The Taylor List Price is $1298 and the Taylor MAP is $999.
76-8196 Taylor (new) 856CE 12-string Grand Concert Rosewood Acoustic Guitar, #20080519108, with hard shell case.
The Taylor List Price $4258 and the Taylor MAP is $3149.
76-8195 Taylor (new) 114CE Grand Auditorium, Sapele laminate back & sides, serial #20080916864 with Taylor gig bag.
The Taylor List Price is $1098 and the Taylor MAP is $799.
76-8710 Taylor (new) 412CE Ovangkol, Grand Concert Cutaway, serial #20080723025 with hard shell case.
The Taylor List Price is $2488 and the Taylor MAP is $1849.
76-8753 & 76-8756 Taylor (new) Baby Mahogany, #20081017339 & #20081017340, 3/4 scale little dreadnought, Sapele laminate back & sides,
American Tropical Mahogany top, tropical American Mahogany neck, Ebony fretboard & bridge, 22-3/4" scale length, 1-11/16" nut width and come with gig bag. The Taylor LIST Price is $393 and Our Discount Price is $299.
76-8204 Santa Cruz (new) Vintage Artist Model Acoustic Guitar, serial #58221MB, with hard shell case.
The Santa Cruz List price is $4,433. Our price is $4,113 or at the Cash Discount Price $3,990
76-8213 Guild (new) GAD-F212 in Natural, serial # GAD35356, with hard shell case.
The Guild List is $1199.99 and the Guild MAP is $900.
76-8212 and 76-8211 Guild (new) GAD-C3 Flamenco Negra guitar, serial# GAD36317 and GAD36334,
each made of solid Indian rosewood for the back & sides, Solid American Sitka Spruce for the top, it has a bone nut & saddle, a one-piece mahogany neck, all wood binding and multi-colored purfling, an ebony fingerboard, rosewood bridge and a hard shell case. The Guild List for each guitar with case happens to be $1179.99 and the Guild MAP is $900.
78-7656 Bill Collings (used, February 2000) SJ-41 Cutaway, #5572, known to its friends as SJ41BaaA, housed in its original TKL AVS-series hard shell case.
This guitar presents with a golden-to-brown sunburst finish wide yet evenly grained Adirondack spruce top, “AA” Grade Brazilian rosewood sides, back and headplate overlay, and its jet black ebony fingerboard that is ivoroid and black bordered with ivoroid binding fingerboard displays Bill’s “Mother In Law” fingerboard inlay pattern which takes the form of 7 individually distinguished “flourishes” of Victorian-era mother of pearl each vaguely suggesting a candlestick holder with extremely suggestive candlestick sticking up, or down, depending on which daydream/ fantasy Bill was thinking at that time. It’s good when you really (really) like your mother in law. Other than having a gold-plated strap pin thrust into the treble side of the heel of the neck this guitar is in “near mint” condition, so much so that people who like to fuss over guitars and discover wens and flaws will be walking away muttering when they see this notably unbattered baby. The ivoroid-black-ivoroid headstock has the asymmetrical “pompadour” haircut provided as homage to so many hirsute users of Collings guitars who own tubes of Brylcreem (“A little dab’ll do ya”) and know how to use them. All six tuners are gold-plated Waverly’s with butterbean buttons and open gears. The back stripe is multi-colored wood marquetry in the always-welcome “southwestern” pattern; the end graft is grained ivoroid bordered in ivoroid-black; the soundhole’s center ring and the face of the instrument also are bordered in “crushed abalone” that captures the light and refracts it kaleidoscopically. This instrument carries the soft cutaway that permits the player to reach the highest frets; its nut width is 1 11/16th” and the string spacing at the bridge saddle is 2 3/16th”.Being a Small Jumbo, this guitar measures 16 1/8” at the lower bout and has a long scale of 25.5”. And now we come to the point where we feast our eyes on the Brazilian rosewood. It is TDF-quality Brazilian, resembling the hidden mountain stream that you visited as a child, where you could see the mono-cranial trout cavorting beneath the surface of the water even without even Polarizing glasses, where the flowing mountain of hydrous natancy represented, in its smooth, graceful continuity, the cycle of the infinite – the continuum of life, death and rebirth. Perhaps we’re reading a bit too much into a simple description of the wood, but it is, without a doubt, some of the most beautiful, transfixing, mesmerizing Brazilian rosewood collection of wiggles and whorls as this wood wookie has ever had the pleasure to embrace. And much the same can be said about its sound. It speaks with the voice of the vital and the vigorous, the vintage and the venerable, the visceral and the virtuous. It thunders like tympani when pummeled, and then caresses and soothes when played tenderly. It is, in a word, a guitar for all seasons, one of the finest examples of the Collings Guitar Company’s most fulfilling combinations of design, wood and workmanship. What should one ask for a guitar of this quality? Fifteen thousand dollah? Sixteen thousand dollah? No, we feel that the market value at this time for a nymph this nuts and an enchantress this all-enveloping is a mere Eleven Thousand, Nine Hundred and Ninety Five Dollah, at our Cash Discount Price -- WAY less than our former governor paid for having far less fun than you can have with this six-string messenger from paradise. Hedonists, Take Heed. This guitar will, as James Taylor prophesied and little Regan MacNeil from The Exorcist demonstrated, turn your head around. $12,366 or at our cash discount price $11,995
78-7645 Collings (used 2003) OM-2HA, #7477, in excellent or better condition with original green lined TKL AVS hard shell case. This guitar shows the usual small scuffs, scratches and light signs of careful playing, but it is, on the whole, exceptionally clean.
It has the option of the 1 ¾” nut (with Collings that’s still an special feature even though the definition of OM is 1 ¾” nut, 000-body and long scale neck). It has the nickel-plated Waverly brand butterbean button tuners, the 5 etched diamond fingerboard inlays in an unbound ebony ‘board, the herringbone top border and three ring fiberous black-white soundhole rosette rings, the carved ebony bridge with the pearl dots and the grained ivoroid body binding. It has an added Fishman Matrix internal pickup. It also has the sharpest (as in “stiletto”) heel you have ever in your life felt – a heel shape NOT for the timid. The headstock is squared, the “Collings” logo is inlaid in script mother of pearl, the nut and saddle are bone, and the tone is well honed. It is a treat for the jaded, the faded, the proficient and the precocious, it is hog heaven for the herringbone hedonist. $3557 or at our cash discount price, $3450.
78-7638 Collings (used, c. 2006) Model CW #8588, in East Indian rosewood and Adirondack, in excellent plus condition with TKL AVS original hard shell case.
Few modern acoustic guitars are as beautiful or as fine sounding as the Clarence White inspired CW. No longer called the Clarence White, now this model is called The Collings Winfield, named after the famous music festival and flat-picking competition in Kansas. The initials, however, remain the same (very clever, Bill). The instrument carries on the tradition established when famous flat picker Clarence White purchased a prewar D-28 guitar that had been modified to have a larger soundhole (this one measures 4 ¼” in diameter, and it also had a Gretsch ivoroid bound, extended length fingerboard installed – and so the neo-classical (no inlay on the front surface) fingerboard extends maybe 3/16th” into the frontal orifice. The headstock is squared and the Brazilian rosewood headplate hosts the script, pearl Collings logo which rises in its position as it progresses to the treble side in a visual metaphor that expresses uncommon optimism. Tuners are nickel-plated Waverlys (we are thankful for a builder who uses Waverly tuners on nearly every guitar without it having to be specially ordered); there is a carved diamond dart on the back of the neck behind the nut; the top is bordered in herringbone, the soundhole in two rings (remember, the soundhole is larger) of fiber purfling; the pickguard is prewar style “Dalmatian” tortoise-oid, the bridge is carved of ebony with pearl inlaid ebony pins and a “through” saddle of bone; the back stripe is zipper wood marquetry and the end graft is celluloid bordered in two-ply. The Adirondack spruce is wide grained at the extremes and closer gained at the center (as it should be), the East Indian on the sides is unusually patterned, it sort of meanders in a refreshing way, while the East Indian on the back is straight-grained and elegant. In most respects, the condition can nearly not be faulted, but a very close inspection reveals a few small signs of playing time including a few small dings, chips on and along the back of the headstock along the edges – as if somebody tried to use a string winder to change strings while inebriated and, flailing madly, the device contacted the back edge of the headstock with every turn! Yikes! We present to you an extremely fine sounding dreadnought acoustic guitar. $4015 or, at our cash discount price, $3895.
78-7958 Collings (new) OM-3, #14774, Adirondack Spruce top with cutaway and hard shell case.
$5498 at our Discount Price, or at our Cash Discount Price, $5333
78-7987 Collings (new) CJ, #14919, 1 3/4th nut width, with hard shell case.
$3875 at our Discount Price, or at our Cash Discount Price, $3758
76-8012 Collings (new) Baby 2, #14745, 1 3/4th nut width, with German Spruce top in sunburst, with hard shell case.
$4524 at our Discount Price, or at our Cash Discount Price, $4388
78-7630 Gibson (used, February 2005) SJ-200 Historic Collection, vintage sunburst, #00385003, in near mint with tags, with original brown hard shell case.
This is a most beautiful version of the SJ-200 Reissue – it has all of the accoutrements of this legendary model including the single crème border around the flowered pickguard, whose stamens are orange and whose four petals are luminously blooming; it has the 8 mother of pearl crowns of diminishing size in the crème-bound rosewood fretboard; it has the crème bordered, polished ebony headplate with the postwar Gibson logo and the Gibson flower there under, along with a “wide-white” bordered bell-shaped truss rod cover. It has the traditional “open moustache™” bridge with four bars of pearl and two inlaid dots, and displays gorgeous curly maple on the two piece back (divided by a geometric pattern of marquetry in black and crème) with an equally nicely tiger striped three piece neck. Tuners are gold-plated, striped-back Kluson replicas (sans logo) with pearloid tulip buttons. On the back of the headstock is the “Gibson Historic Collection” yellow and blue decal – not often seen but always welcome. Body bindings are crème with three-ply purfling on the back and five-ply on the face. The sound of this guitar is extraordinary – broadly based, fully realized, warm, flowing and in every way luscious and superlative. We love J-200 guitars and this one is a knockout. $2,469 or, at our cash discount price, $2,395.
76-8120 Guild (new) GAD-M20E, #GAD26162, a very small-bodied guitar in natural mahogany for the top, back and sides, with a Fishman Matrix pickup and hard shell case.
The Guild List is $1007.99 and the Guild MAP is $700.
76-8121 Guild (new) GAD-F20E, #GAD27806, an Auditorium sized guitar in Natural Sitka spruce top, mahogany sides and back, with a Fishman Matrix pickup and hard shell case.
The Guild List is $1187.99 and the Guild MAP is $820.
76-8111 Guild (new) GAD-50PCE, #GAD33923, a cutaway dreadnought guitar with a Sitka spruce top, in Antique ‘burst top, having maple bindings, with a pickup and hard shell case.
The Guild List is $1388.79 and the Guild MAP is $960.
78-7666 Larrivee (used, 2003) Parlor Model P-09 “Rosewood Special Edition,” #70126, made in Vancouver, BC, Canada, in excellent condition with hard shell plush lined case.
This is a small guitar, measuring only 13 3/16th” at the lower bout, having a scale length of 24”, a nut width of 1 ¾” and a bridge spacing of 2 3/16th”. At the waist this leetle feller measures 7 13/16”; at the upper bout it measures 9 3/8”. The fingerboard is neo-classical, meaning that it has no markers on its front surface, but it does have six dark side markers in the ivoroid binding on the bass side. The soundhole is bordered in kaleidoscopic abalone, there is a clear plastic pickguard provided by the factory to protect the top from life’s hard knock. The top and back are bound in maple; the end graft is likewise maple and the heel cap is grained ivoroid to match the neck binding (which is present on two sides of the neck only, and not the bottom side). The neck is actual mahogany, one-piece, and said neck is dovetail-jointed to the body. The face appears to be select Sitka, the sides and the back is straight-grained East Indian. The headplate is ebony and bears the “Larrivee” underlined logo in ivoroid; its tuners are possibly Gotoh with the Larrivee inscription and medium sized metal buttons. The face is bordered in an elegant ring of black purfling. This X-braced, forward-shifted guitar has 12 frets to the body and 17 frets total. We are advised that this version of the Larrivee parlor is no longer being made – that the newer (2004 and forward) version has a thicker, glossy finish. As the result of the thinner finish, this guitar simply sings. The action is low and comfortable and the sound is bigger than its small size would forecast. We offer you a really nice little standard feel, near standard scale six-string, made of good materials, in a size that’s slightly smaller than a Martin “0”. $1129 at our discount price, or at our cash discount price, $1095
78-7653 C F Martin (used, 2003) Model 000JBP Jimmy Buffett Pollywog, #941885, Individual number 10 of 305 made, in excellent original condition with original brown Martin 535 series hard shell case.
This guitar is a 000-12 fret in solid Sitka spruce and solid mahogany sides and back, being fairly dressy in tortoise shell celluloid side binding itself bordered in black-white Boltaron®, having black-white-black “rope” top purfling, and an blue Paua pearl soundhole rosette with black-white-black purfling on each side. The scale is lengthy at 25.4”, the nut width is 1 13/16th”, 12th fret and bridge spacing generously appointed at 2 5/16th”. The C F Martin logo is imprinted on the back of the headstock. The dark, polished East Indian rosewood headplate is inlaid with a raised gold foil, black ebony, and various shades of mother of pearl depicting a porthole surrounding a palm tree on an island with the turquoise blue water below and the sky above. A large mother of pearl ship’s wheel is depicted in inlay at the fifth fret; the teardrop, beveled edge pickguard is tortoise shell color; the rectangular bridge is fitted with a drop-in, compensated, saddle. Tuners are Gotoh gold-plated with butterbean metal buttons. The wood on the back and sides is exquisite, said back being bisected by a black line, and the end graft at the bottom is celluloid bordered in white. The interior paper label depicts a navigation map motif, and it is hand-signed by Mr. Buffett and C F Martin IV. The case is a special 535 Geib style™ with honey “Winn Skai Oxen” leatherette covering. The condition is solidly excellent showing extremely small chips on the tortoise color binding, minor scuffs and light surface scratches, several innocuous dings here and there, and a few very small indications of contact with the belt on the back. Nothing that you wouldn’t expect to see on a 5 year old guitar. This guitar sings with the heart of the sailor/singer-songwriter/author whose work ethic and Joie de vivre inspires us all. $4119 or at our cash discount price, $3995.
78-7657 C F Martin (used) 000-40S Mark Knopfler, #74 of 155 made, #1185672, with original Geib style hard shell case.
According to Wikipedia: Mark Knopfler was born to an English mother and a Hungarian Jewish father, an architect whose communist sympathies forced him to flee the fascist regime of his native Hungary. The family initially moved to Scotland, but then settled in Knopfler's mother's home town of Newcastle upon Tyne in the northeast of England when he was nine years old. There, he and his younger brother David (also a musician, with whom Mark co-founded Dire Straits in its earliest configuration as the band Café Racers) attended Gosforth Grammar School, where he was inspired by his uncle Kingsley's harmonica and boogie-woogie piano playing. This 12-fret slot-head guitar is named for one of the world’s finest melodic fingerstyle guitar players. It is vivid and wonderful sounding – we loved it the first time we played it and have ever since. Every visual appointment is first class – from the white-black-white trimmed, ivoroid bound pearl script “Martin” logo inlaid, headstock and fingerboard to the colorful snowflake, etched diamond and cats-eye inlays in a jet black fretboard, from the herringbone wood marquetry top border to the circle of inlaid diamonds against ebony around the soundhole, from the extremely high quality (probably Waverly) engraved gold-plated plate ivoroid button tuners to the herringbone back stripe and black-ivoroid bordered end graft, and pyramid carved ebony bridge, this guitar speaks with the authority of 1930s elegance and style. That it has a nut width of something like 1 13/16th”, the scale length of 25.4” and a generous bridge spacing of 2 5/16th” is not lost on us fingerpickers, either. It is a gem, in six-string form. Playing it will make you smile, hearing it will make you think of this impeccable and unique player. The Martin List was $6999. The Martin MAP was $5599. Our price, however, is only $4119 at our Discount Price, or $3995 at our cash discount price.
78-7643 C F Martin (used, 2003) D-42AR Amazon Rosewood, #944304, #23 of 30 made.
Amazon Rosewood a/k/a Dalbergia sprucana belongs to the same family as Brazilian rosewood (Dalbergia nigra). The US Forest Service says, comparing both woods, “The wood anatomical characteristics of Dalbergia nigra and Dalbergia spruceana are too similar to permit reliable species separation.” Wow. So owning this guitar is something like getting a Brazilian rosewood dreadnought for less than half the price. Both are species of legume in the Fabaceae Family (formerly of Mott Street). The condition of this advanced X forward shifted scalloped braced guitar is excellent minus. It would have been “near mint” except that contact with a guitar stand at the bottom of the guitar resulted in two lesions in the finish that are both palpable and visually distracting if you look at them, but then who looks at them? This is a fancy guitar, grained ivoroid bound, having the “C Martin F” vertical headplate inlay in colorful pearl, the full diamond and snowflake fingerboard treatment starting at first fret, full abalone top border including the border of the fingerboard end. The 1930’s style carved ebony belly bridge carries the “through” saddle, made of fossil ivory and the nut is fossil ivory as well; the back stripe is -45 style in colored marquetry and the Adirondack top is wide grained at the extremes, closer-grained at the center and displays some Bearclaw. Under the A-word top are 5/16th” Adirondack braces; tuners are actual Waverly brand, gold-plated, butterbean button; the headstock, neck, sides and back are bordered in ebony and ivoroid; the pickguard is prewar style faux tortoise shell with beveled edges. The nut width is 1 ¾”, the width at 12th fret is 2 ¼” and the bridge string spacing is 2 5/16th”. Other than a few belt scratches on the back and some extremely minor dings, plus those two chemical-reaction marks from the possibly vinyl covered stand, this guitar is quite clean. The interior paper label is hand signed by C F Martin IV. A FEW WORDS ABOUT ADIRONDACK: Adirondack Spruce (Picea rubens) is one of the finest tone woods from which the face of an acoustic guitar can be made. C F Martin used Adirondack on most of the guitars they made from 1833 to around 1945 when it became too expensive to continue to use routinely. It is stiffer than Sitka (the most common top wood used today) and thusly produces great clarity, extended sustain and a level of expressiveness unfound in any other top. This beautiful wood is wide-grained at the extremes and closer grained at the center, under the bridge. It produces sound that is stronger, fuller and also a tone that is articulate, transparent and dense, flush with harmonic and overtonal variety. To play a guitar so equipped is, frankly, thrilling. This rare and beautiful instrument is available to you at $5149 or, at our cash discount price $4995.
78-7635 C F Martin (used, 1967) model 00-18C Classical #219277.
This guitar conforms to the standard description of this nylon string, slothead, 12-fret instrument of this period. It is remarkably free of standard signs of use and wear showing only the most minor signs such as chipped finish around the headstock, a scratch on the back that the owner deeply regrets. It has the smaller C F Martin & Co. gold decal on the front of the Brazilian rosewood headplate veneer, original tuners with ivoroid buttons, a Brazilian rosewood fretboard and oblong bridge, a three ring soundhole rosette, a white nut that may not be bone, a moderately low bridge saddle. The action is moderate – certainly within limits for classical playing, but there is no further adjustability at the bridge. The top is bordered in very thin black-white four-ply, the sides in black. There are crème side dots on the bass side of the neck, which measures 2” at the nut and the string spacing is 2 ¼” at the bridge. The scale length is approximately 25 1/3”. The top is more of a matte finish from hand contact while the sides and back are more glossy; there is incipient seam sinkage under the bridge which might not ever open. Our shop has performed a set-up and restring and it is good for another hundred years (or so). $1850 or, at our cash discount price, $1795.
78-7639 C F Martin pre-1867 Model 2-23 or 2-24, (1857 to 1865), in very good plus condition with original coffin style pine case
(the case would be very happy if somebody screwed its latches back on; a piece of wood at the bottom side of the case is off but still present, and the interior pocket needs to be glued back – all of this is work the next owner would likely want to have done). Little is known about mid-1800s C F Martin Guitars. In his reference book, Martin Guitars: A History Mike Longworth describes the Models 22 and 23 from company records. It is said to have a spruce top, rosewood sides and back [this is “old growth” Brazilian -- spidery with considerable textural complexity (unimaginably beautiful!)] with rosewood binding on top and back; the top inlay is ebony-spruce-ebony-spruce (from inside out); the back stripe has a repeating diamond center pattern (what Longworth calls a dark diamond with spruce triangles); the back of the neck is cedar, the fingerboard is ebony without markers and there are no side dot markers. This is where the description in Longworth differs from the example – he says that the guitar had inner and outer rings of ebony and spruce and this does have that feature, but he also says that the inner circle of the rosette was herringbone and in this case it has ebony-spruce-ebony on each side with a continuous rectangular pattern that resembles the modern back stripe on a D-28 guitar.Each of the sides is bestowed a spruce stripe within the Brazilian rosewood outer binding. The guitar bears three manufacturer’s logos – one below the ebony heel cap, one on the center back brace and one on the Spanish foot near the neck block. All three read “C F Martin, New York” which logo ceased usage in 1867. The headplate is Brazilian rosewood, the tuners are real ivory friction style (like a violin) and they work just fine. There is a diamond dart carved behind the nut. The scale length is 24.5”, the width of the fingerboard just below the aluminum nut (quite possibly original) is 1 15/16th” and the string spacing at the bridge is 2 ¼”. There is, regrettably, an old heel crack which our head of repair, Leroy Aiello, will be repairing expertly, but the fissure will still show. In addition our workshop will be gluing loose braces and refastening the ebony carved pyramid original bridge. The guitar shows normal playing wear overall including a chip out of the back of the neck at the heel on both sides of the heel, fingernail marks on both sides of the strings, a possible incipient seam separation below the bridge, body wear on the back bass edge, plus other signs of neck and body wear as is typical for something that’s nearly 160 years old. When you see it (when it comes up from repair) it will be in ready-to-play condition and sound supremely mellifluous. With D’Addario Composite hard tension nylon strings on it this guitar will sing with the heart of an altruistic middle-aged but still youthful looking new-age gryphon. $5,670 or at our cash discount price, $5,500.
76-8070 C F Martin (new) OM-21, #1300156, having the delightful combination of an Auditorium-size body, a 1 ¾” nut width, a low profile neck, solid East Indian rosewood sides & back, a Sitka spruce top, scalloped bracing, wonderful sound, all of this contained within a hard shell case.
The C F Martin List Price is $2599 and the C F Martin MAP is $1949.
76-8102 and 76-8103 C F Martin (new) LX-1, a “Little” guitar for travel, made entirely out of High Pressure Laminate, #MG77518, and MG77531, each with gigbag.
For each guitar, the C F Martin List Price is $419 and the C F Martin MAP is $299.
76-8105 and 76-8104 C F Martin (new) LX-ME, #MG76559, and MG76568, each with gigbag.
Another “Little” guitar, made of High Pressure Laminate and having a factory provided pickup with a volume control. For each guitar, the C F Martin List Price is $469 and the C F Martin MAP is $339.
76-8072 C F Martin (new) DC-16GTE Premium, #1295777, with hard shell case.
All solid woods, with a glossy finished Sitka spruce top, matte sides and back, and a factory-provided “Premium” pickup. The C F Martin List Price is $1949 and the C F Martin MAP is $1449.
76-8073 C F Martin (new) D-21 Special, #1291735, with hard shell case. An extremely special Special – we are amazed and dazzled by its beauty and its exquisite tone.
This guitar has it all – a 1 ¾” nut width (which no original D-21 ever had), etched diamond fingerboard inlays in an ebony board, Martin etched logo burnished-looking open-gear butterbean button tuners, herringbone rosette, four-ply ebony-spruce-ebony top border, herringbone back stripe, aging toner top, wood body bindings, an ebony end graft with spruce border, and this particular example shows some always welcome bear claw in the top. What sound! What beauty! For an extremely low price: The C F Martin List Price is $2479 and the C F Martin MAP is $2404.
76-8073 C F Martin (new) D-21 Special, #1291735, with hard shell case.
The C F Martin List Price is $2479 and the C F Martin MAP is $2404.
76-8100 C F Martin (new) 00-21GE, #1296031, with hard shell case.
Here is a new custom-shop guitar that we have C F Martin build for us – the12-fret, slot head (square slots) recreation of the prewar-based 00-21 with an Adirondack spruce top, East Indian rosewood sides and back, ¼” scalloped bracing and a Geib style case. It has the looks, it has the beauty, it has the power. Remarkable, indeed. The C F Martin List Price is $4441.36. Call or email for our very reasonable price!
76-8101 C F Martin (new) 00-21GE, #1296030, another custom shop Grand Concert 12-fret slothead, made for us with the sound of the prewar marvel in mind, with Geib style hard shell case.
The C F Martin List Price is $4441.36. Call or email for our pricing.
76-8045 C F Martin (new) OMC-X1KE, #1305726, with pickup and hard shell case.
The C F Martin List Price is $999 and the C F Martin MAP is $699.
76-8019 C F Martin (new) BC-16GTE acoustic bass, #1291410, with pickup and hard shell case.
The C F Martin List Price is $2499 and the C F Martin MAP is $1849.
76-8021 C F Martin (new) M-21 Steve Earle, #1292451, No. 18, with hard shell case.
The C F Martin List Price is $4299 and the C F Martin MAP is $3999.
76-8031 C F Martin (new) D-41, #1295970, with hard shell case.
The C F Martin List Price is $4699 and the C F Martin MAP is $3499.
76-8030 C F Martin (new) D-41, #1280446, with hard shell case.
The C F Martin List Price is $4699 and the C F Martin MAP is $3499.
78-7955 C F Martin (new) OM-28 Rosanne Cash, #1279559, with hard shell case.
The C F Martin List Price is $6999 and the C F Martin MAP is $5599.
76-8032 C F Martin (new) DX1RGT, #1304169.
The C F Martin List Price is $999 and the C F Martin MAP is $699.
76- 8016 C F Martin (new) HD-28, #1296712, with hard shell case.
The C F Martin List Price is $3299 and the C F Martin MAP is $2499.
76- 8017 C F Martin (new) HD-28, #1275472, with hard shell case.
The C F Martin List Price is $3299 and the C F Martin MAP is $2499.
76- 8053 C F Martin (new) HD-35, #1297662, with hard shell case.
The C F Martin List Price is $3549 and the C F Martin MAP is $2649.
76- 8044 C F Martin (new) DC-Aura, #1296605, with hard shell case.
The C F Martin List Price is $3649 and the C F Martin MAP is $2749.
76- 8025 C F Martin (new) MC Adirondack 1, #1229205, Spanish cedar back and sides, with hard shell case.
The C F Martin List Price is $3999 and the C F Martin MAP is $2999.
78- 7732 C F Martin (new) "America's Guitar," #1270924, dreadnought, #72 of 175 made (this model is now completely sold out at C F Martin) with hard shell case.
Something new from C F Martin Company, this guitar is in some ways extremely traditional in its styling with some highly unusual features. Sonically, it excels, being made from Madagascar rosewood – the fondest sister of Brazilian rosewood -- for the back and sides, with a polished ebony headstock overlay, Adirondack “Red” spruce top for the top, ebony fingerboard and bridge – and the fingerboard is comprised of exquisitely inlaid (mother of pearl placed inside of an abalone border) diamonds and squares as well as a tasteful banner at the 12th fret that commemorates this important Martin anniversary. It displays a black and maple fiber soundhole rosette, and inside it sports Golden Era style forward-shifted 5/16th" bracing made of Adirondack. It has a zigzag wood marquetry backstripe, solid Hawaiian Koa wood bindings (it is most unusual to find a wooden bound Martin guitar), heel cap and endpiece, combined with herringbone top trim, a modified v-shaped neck, a bone nut and bone drop-in long saddle. Its ebony squared-edge headplate bears the C F Martin logo in script along with a mother-of-pearl "America's Guitar" legend and the years “1833-2008.” Its nut width is 1 ¾", bridge spacing 2 5/16th and the tuners are nickel-plated Waverly brand with butterbean buttons. The interior label depicts Chris, Diane and Claire Frances Martin and the guitar is signed on a second label by Chris in sequence out of a total of 175 guitars made. Even the case is special, being a 545E Geib style with the “175th Anniversary” banner logo on the outside case lid. This guitar sounds utterly and absolutely amazing – if this were Brazilian it would likely list for at least four times this amount but it’s not, and so the price is quite tenable. The C F Martin List Price is $7,499 and the C F Martin MAP is $5,999.
76-8058 C F Martin (new) 000-42 Marquis, #1251910, with hard shell case.
The C F Martin List Price is $6999 and the C F Martin MAP is $5599.
78-7989 McPherson (new) MG4.0XP in Beeswing Mahogany and Adirondack (Red to its friends) Spruce top, #1268, with Ameritage hard shell deluxe case.
Beeswing is a rare variant on mahogany – revered for its beauty and its sonic surprises. We have had only one other McPherson in Beeswing and also we once had one Santa Cruz guitar made from same, and in both instances the beauty of the wood captivated us and sedated us to the point of drooling on our own shirt buttons like a character in a cartoon in a 1950s issue of Mad® Magazine. “Madam, your husband doesn’t have Recalcitrant Plebney.” We’re still giddy from the experience of playing this incredible sounding, beautiful-beyond-words guitar that makes the heart go pitter-pat and the wallet go “GAW” like the sound made in the lowering of the castle drawbridge when it’s opened over the moat. $6186 or, at our cash discount price, $6000.
78-7956 McPherson (new) MG 4.5 XP, #1257, in Madagascar rosewood and Adirondack Red Spruce, with Ameritage Deluxe hard shell case.
$7320 or, at our cash discount